By John English — Thursday January 15, 2026 — Blog

Get Better at Life Drawing with the Illustration Academy Process

Learn the process developed in part by illustrator and painter, Mark English, more than 25 years ago at The Illustration Academy.

Drawing the human form from observation is an essential step in improving your drawing abilities. Continued practice is one of the most effective ways to improve your drawing skills. Attending drawing sessions with friends and practicing life drawing with more experienced artists is a great way to refine and advance your abilities.

The following notes and drawing exercise will demystify the challenges and hurdles of illustrating the figure and capturing shape, light, and mood of your model.

The Illustration Academy Method is used by some of the biggest names in illustration and is a powerful point of reference for any artist working to improve their life drawing techniques.

The following is the process created for Illustration Academy students to improve their life drawing skills. Students attending the Illustration Academy attending figure drawing sessions at least 2 to 3 times per week, putting to work the drawing techniques, studying shape, learning the process of posing a model, and more.

Delicate watercolor painting of a nude woman sitting with legs crossed and head turned to the side, showcasing artistic expression and human form.

Figure Drawing by illustrator & painter, Mark English

Delicate nude figure sketch highlighting human form and artistic expression, emphasizing anatomy and pose in fine art drawing.

Figure Drawing by illustrator & painter, Mark English

The Life Drawing Process

We are making a light object on a dark background. For this technique, light and dark are relative to only each other. The following five steps will act as your compass in sharpening and improving your drawing skills.

1. Blocking in the figure drawing

Block in the entire figure just a little better than a stick figure. Get the gesture first, then proportion, scale and of course shape. Do this all in the light tone, with no lines allowed in the pure version of this technique. Get the shape of the leg, the shape of the head, and the of the arms.

2. Adding Shadows to the Figure drawing

Add darks around the figure and never inside the figure. Look at the samples of drawings included below. You should only allow one or two small accents of dark on the final. Be sure to design the darks and not just put a “halo” around the figure.

This process of life drawing is similar to using clay. You can add light, and take it away by pushing the darks over it. If you take off too much, push the light back into the dark, etc.

3. Creating Magic Tone

If you have applied just enough light pastel, and just enough dark pastel, then when you rub the whole thing with your entire hand (not just a finger or two), then you create what is called the magic tone. This tone is not the paper, not the light pastel, not the dark pastel, but something new, that is a combination of all three. It doesn’t exist anywhere but on the page.

4. Re-establish the Darks

This is the step that everyone leaves out. By doing this, it forces the “magic tone” to become the shadow value of the figure.

The magic tone must therefore be dark enough, and light enough to function as the shadow of the figure and still be lighter than the background. It is important to remember, we are making a light object on a dark background.

5. Rendering Light

Paint in the areas of the model that the light is illuminating. Do not render the shadows. In addition, do not put darks into the shadows with the exception of one or two small accents.

The Illustration Academy Figure Drawing Assignment

  • Produce 4, 5 minute drawings for yourself to warm-up and practice. Choose the best of the 5 minute drawings.
  • Produce 3, 30 minute drawings using the technique mention above.
  • Be sure to follow all 5 steps.
  • Don’t get caught up in detail and rendering
  • Pay attention to your value-control
  • Try to be sensitive with the materials, don’t use too much pastel in your life drawing

Important Materials for the Drawing Exercise

Paper:

  • You will need a neutral, smooth, mid-toned paper.

Nupastels:

  • Naples Yellow Light 247-P
  • Warm Grey Medium 219-P

The colors listed below work as well as those above, so any combination will work, as long as you have a light and a medium dark. The idea is to have a light-value pastel and a medium-dark value pastel.

Additional colors and numbers:

  • Shell Pink 366-P
  • Warm Grey Medium 219-P
  • Warm Grey Light 239-P
  • Sepia 293-P
  • Van Dyke Brown 283-P

We hope that this is a helpful resource as you continue to refine your skills as an artist!

A rustic brown wooden door with a weathered surface, perfect for art gallery entrances or creative spaces.

Any drawing board will work for this exercise!

3. Three painted wooden beams with engraved measurements in a close-up shot, highlighting artistic and manufacturing details at Visual Arts Passage.

Recommended pastel colors for Illustration Academy life drawing exercise

Toned Gray sketch paper pack by Strathmore, ideal for artists, featuring 24 sheets of medium surface gray paper for drawing, sketching, and artistic projects, perfect for visual arts and creative expression.

Toned gray sketch paper for your life drawing exercise

Courses You’ll Love

Figure Drawing: Structure, Gesture & the Human Form

Learn to see the figure clearly, construct it confidently, and draw it with purpose.

A professional portrait of a smiling man in a black Columbia jacket against a dark background.
John English, Visual Arts Passage Co-founder

About the Author

Professional portrait of a man with a warm smile, representing the artistic and creative environment of Visual Arts Passage. Suitable for arts, culture, and community engagement themes.

John English is a nationally respected artist and educator whose career has been dedicated to advancing art education, figure drawing, and classical draftsmanship. With over 25 years in collegiate art education, John has trained and mentored thousands of artists, helping shape the next generation of illustrators, fine artists, and visual storytellers.

He is widely recognized for his expertise in figure drawing, anatomy, gesture, and visual structure, as well as for his ability to translate complex visual concepts into clear, actionable instruction. His teaching is known for its rigor, clarity, and depth, emphasizing strong fundamentals, disciplined observation, and intentional design. Students consistently credit John’s guidance with producing major breakthroughs in both skill and artistic confidence.

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