Illustration Isolation: Episode 24, Bryan Rodner Carr part III

Bryan Rodner Carr is an American photographer and film editor currently based in Los Angeles, CA. His clients include major brands such as, Beats by Dre, Complex, Adidas, SSENSE, Reigning Champ, Goop, PAPER Magazine, FRAME, Richer Poorer, Paco Rabanne Parfums, Ipsy, Stella Artois, 7 For All Mankind, MATE the Label, Harper’s Bazaar, KkCo, LCD, Playboy Magazine, Spotify, Rolla’s Jeans, BB Dakota, REVOLVE , Wolf|Kasteler, Margaux Lonnberg, Luv AJ, Aprés Jewelry, Stellaire Collection, Forever 21, Refinery 29, Girl Skateboards, Contributor Magazine, NFL, Yahoo!, Factice Magazine, JADE Swim, For Love and Lemons, Nasty Gal, Kodak, Galore Magazine

Draw alongside these professional artists, ask questions, join the conversation, and most importantly — Share your work with us on social! Tag us on Facebook, Instagram, or Twitter and let us see what you’re up to, what you’re drawing, and how you tackled a few of these reference photos.

WANT TO KEEP DRAWING?

The Illustration and Concept Art Program are currently enrolling and have spaces available. These courses are fully immersive, learn-by-doing bootcamps for visual artists. Join a community of hundreds of artists and learn from some of the most skilled digital and traditional artists in the gaming, entertainment, illustration, and painting industries.

TRANSCRIPT:

WEBVTT

00:00:06.990 –> 00:00:08.160

John English: Alright. Hey, everybody.

00:00:09.809 –> 00:00:11.580

John English: Welcome to Thursday night drawing

00:00:14.880 –> 00:00:15.210

John English: And

00:00:15.900 –> 00:00:16.740

Tim Trabon: All the panelists.

00:00:20.550 –> 00:00:22.470

John English: Can I borrow some people from the audience.

00:00:23.550 –> 00:00:25.890

Tim Trabon: Yeah, this is a anybody played bass.

00:00:27.450 –> 00:00:28.020

Tim Trabon: drummer.

00:00:29.970 –> 00:00:37.380

John English: We’ve gotten bill come got delayed. He’s coming in my tablet just got here. And so my toddler, you get to draw first. How about that.

00:00:38.730 –> 00:00:40.800

John English: Are you okay with that Montalvo you set up.

00:00:42.900 –> 00:00:43.680

Tim Trabon: We just can’t hear you.

00:00:47.130 –> 00:00:48.390

John English: I think you setting stuff up.

00:00:48.750 –> 00:00:50.160

Tim Trabon: Well, while he sets things up.

00:00:51.510 –> 00:00:52.020

John English: I can talk

00:00:52.050 –> 00:01:09.810

Tim Trabon: Later, yeah. Thanks for joining us. Everybody tonight. If this is your first time drawing. This is where you get to draw alongside some amazing artists. You can watch us draw and encourage you to draw as well. And please post and share your work because we check it out throughout the night.

00:01:11.130 –> 00:01:20.370

Tim Trabon: I’m going to share a link. As soon as john starts getting talking in the chat and that link sends you to the photos that will be derived tonight. We already got one.

00:01:21.450 –> 00:01:23.190

Tim Trabon: We’ve already got one photo up

00:01:24.420 –> 00:01:29.760

Tim Trabon: And yeah, that’s how it works. When you use the chat, please be sure your

00:01:30.870 –> 00:01:36.210

Tim Trabon: Sometimes it defaults to all panelists. Make sure you’re sending it to all panelists and attendees.

00:01:37.350 –> 00:01:38.040

Tim Trabon: That’s it. JOHN

00:01:38.610 –> 00:01:42.450

John English: Okay, I’m just looking I’m wanting to see

00:01:43.860 –> 00:01:45.030

John English: What bill Kolb

00:01:45.930 –> 00:01:46.470

Hello.

00:01:47.790 –> 00:01:48.930

John English: How are you, man. You

00:01:48.990 –> 00:01:49.290

Know,

00:01:51.420 –> 00:02:06.420

John English: I everybody. Hey, I’m gonna, I’m going to talk for a minute why our artists are getting their cameras set up and all that fun stuff. So as always, this is brought to you by visual arts passage 25th episode.

00:02:07.980 –> 00:02:10.050

John English: Illustration isolation or fourth

00:02:11.430 –> 00:02:11.940

John English: Fourth,

00:02:12.510 –> 00:02:13.200

Tim Trabon: 24 months.

00:02:13.320 –> 00:02:19.230

John English: Okay, I was close. I’m 25 something we have to celebrate it Sarkar Silver Anniversary.

00:02:21.330 –> 00:02:25.500

John English: Who thought we would ever do anything consistently 25 weeks at the same time.

00:02:26.820 –> 00:02:28.800

Tim Trabon: There’s other than the illustration Academy

00:02:29.130 –> 00:02:33.690

John English: That’s right, 20 we’ve managed to pull the illustration Academy off 25 years in a row.

00:02:34.860 –> 00:02:36.240

John English: So, alright, so

00:02:38.070 –> 00:02:57.150

John English: Our next semester visual arts passage, it starts on October 10 we have an illustration program and we have a concept design or concept art program, I, I like to say that our concept art program really focuses on developing people that design. It’s about design first

00:02:58.560 –> 00:03:06.330

John English: Tonight Our we’re in our illustration isolation drawing room. I’m going to click to my favorite page here.

00:03:07.530 –> 00:03:12.720

John English: And go through. I love to go through the participants of people that have been helping us

00:03:14.670 –> 00:03:17.700

John English: Start with George Pratt at the top, Audrey Benjamin sin.

00:03:19.050 –> 00:03:28.230

John English: Gil Ashby myself john foster Brent watkinson Hector Casanova bill co op Don Kilpatrick Ashley love it.

00:03:29.280 –> 00:03:32.490

John English: Down to the bottom row is Vanessa Del Rey.

00:03:33.690 –> 00:03:36.900

John English: Dale Stefanos and re bunny.

00:03:38.220 –> 00:03:41.310

John English: The next my next slide, um,

00:03:42.540 –> 00:03:52.470

John English: I didn’t want to redo that slide. So I added our most recent draw or most recent recent guests. I’m trying to get his attention because he’s working on his camera.

00:03:53.880 –> 00:03:54.720

John English: My taco.

00:03:54.960 –> 00:03:58.140

John English: There’s one part one night when I’m on top of his drawings that I love that he did

00:03:58.140 –> 00:04:03.810

John English: Last week, so my Tabu as well represented tonight. I don’t think he can hear me, but that’s okay.

00:04:07.020 –> 00:04:18.540

John English: Also Chris pain and my joke was before that I didn’t want to redo the page and Chris Payne didn’t fit on that page. So he got a page. This is also

00:04:19.800 –> 00:04:28.320

John English: A portrait that Chris did of the way brothers, the way brothers have been very helpful to us and I think them the art house in the way brothers for helping us

00:04:29.580 –> 00:04:37.290

John English: With our own photography, allowing us to use their photography and now allowing us to use Brian car they in the introduction to them.

00:04:37.800 –> 00:04:46.620

John English: So thank you very much the way brothers and thank you Brian for the beautiful photography that will be drawing again tonight, Timmy. You got something to say about that.

00:04:47.160 –> 00:04:47.580

Yeah.

00:04:48.630 –> 00:04:54.150

Tim Trabon: Be sure to tag Brian Dr car. Be sure to tag art house.

00:04:55.260 –> 00:05:03.030

Tim Trabon: I’m going to share all the information. But most importantly, be sure to tag hashtag illustration isolation. I know it’s a lot of stuff to tag.

00:05:03.600 –> 00:05:16.680

Tim Trabon: But it really is. It makes it what so much special at the end of the night because we get to check it all out. I think it’s really, really a fun part of this. So we love seeing your work. It’s why we keep coming back.

00:05:18.690 –> 00:05:23.400

Tim Trabon: AND JOHN I know you mentioned, you know, the fall semester starts October 10

00:05:25.440 –> 00:05:33.150

Tim Trabon: One of the things I want to tell everybody here because I know how how how much all of you clearly appreciate free stuff.

00:05:35.340 –> 00:05:48.960

Tim Trabon: We’re doing free portfolio reviews right now you can book them. This week we were going to allow people in this is a one on one portfolio review, you get to meet with john so it’s like illustration isolation but alone.

00:05:51.150 –> 00:05:51.540

John English: There’s

00:05:53.550 –> 00:05:53.970

John English: This

00:05:54.660 –> 00:05:56.550

Tim Trabon: Really awesome opportunity we get

00:05:56.610 –> 00:05:59.580

Tim Trabon: emails every day if people saying how much they love it.

00:06:01.380 –> 00:06:13.890

Tim Trabon: And I can’t recommend it highly enough on top of the fact that it is free. It’s totally free. We don’t ask you to sign up for something or do anything. It’s just totally free. It’s

00:06:15.030 –> 00:06:21.900

Tim Trabon: Really awesome and and honestly, if you’re considering a course, it is the fastest way to test drive this

00:06:22.740 –> 00:06:39.120

John English: It’s also I mean in that portfolio review. I really like to focus on what you’re doing right what you’re doing wrong and most importantly what your path is going to be. We talked a lot about direction, Timmy just I got a text just now from Bill copious having

00:06:39.480 –> 00:06:48.840

Tim Trabon: I don’t know if he’s having came out of it. You know, we’ve allowed allowed everybody to go over laksa days ago. Super kind of shooting today.

00:06:49.080 –> 00:06:50.910

John English: Everybody kind of came in at the last minute.

00:06:50.970 –> 00:06:55.290

Tim Trabon: I apologize, they know that if they come in first they have to draw first

00:06:55.380 –> 00:06:55.650

Yeah.

00:06:57.150 –> 00:06:57.450

Tim Trabon: Yeah.

00:07:00.060 –> 00:07:01.650

John English: On top of your mic is muted.

00:07:02.520 –> 00:07:03.960

Tim Trabon: My mic is muted Montalvo

00:07:05.430 –> 00:07:05.910

Tim Trabon: I’m

00:07:07.080 –> 00:07:07.200

Tim Trabon: On

00:07:08.250 –> 00:07:10.050

Tim Trabon: Mute here we got

00:07:12.270 –> 00:07:13.500

Tim Trabon: Mon tava. We can hear you.

00:07:14.160 –> 00:07:14.910

Montalvo Machado: All right, all right.

00:07:17.250 –> 00:07:17.820

Montalvo Machado: Billy.

00:07:19.350 –> 00:07:19.830

Montalvo Machado: Up here.

00:07:23.250 –> 00:07:30.510

Tim Trabon: All right we Montalvo starting cuz we can see your we can see your what you’re going to be painting and we can hear us.

00:07:32.550 –> 00:07:34.260

John English: Do we have on top of camera.

00:07:34.620 –> 00:07:34.890

Tim Trabon: Yeah.

00:07:35.340 –> 00:07:36.270

John English: Or is that fills.

00:07:36.930 –> 00:07:37.920

Tim Trabon: JOHN. JOHN

00:07:40.770 –> 00:07:42.000

John English: Okay, I totally got

00:07:42.780 –> 00:07:43.410

Tim Trabon: A ship.

00:07:43.830 –> 00:07:44.310

John English: Okay.

00:07:44.790 –> 00:07:47.400

Montalvo Machado: I know you my ceiling.

00:07:47.970 –> 00:07:49.620

Tim Trabon: Yeah. Yeah, looks good.

00:07:50.070 –> 00:07:50.520

John English: All right.

00:07:50.820 –> 00:07:52.140

John English: There you go. Alright.

00:07:52.500 –> 00:07:53.460

John English: So my taco.

00:07:54.450 –> 00:07:59.370

John English: Unfortunately, we chose a piece of photography for you. And that’s what you’re drawing

00:08:00.420 –> 00:08:01.560

Montalvo Machado: Oh, which one is going to be

00:08:02.700 –> 00:08:04.290

Tim Trabon: In the chat. My talk will be so

00:08:04.320 –> 00:08:08.490

Montalvo Machado: Well, I have the I have received the email with the photographs

00:08:08.910 –> 00:08:13.470

Montalvo Machado: Okay. The, the girl, the black girl with the green background.

00:08:14.400 –> 00:08:15.060

And

00:08:16.290 –> 00:08:17.130

Montalvo Machado: That’s not so

00:08:18.060 –> 00:08:19.230

Montalvo Machado: There was a black hat.

00:08:19.560 –> 00:08:24.750

Tim Trabon: All right guys here Montalvo everybody Montalvo is gonna get

100

00:08:30.330 –> 00:08:31.020

John English: It. Sorry.

101

00:08:32.340 –> 00:08:36.720

John English: Okay, my tava we’re just going to post it because we had no choice.

102

00:08:38.940 –> 00:08:43.680

John English: Sorry to do that to you and Montalvo George practice came into the room. I know you want to say hi.

103

00:08:45.090 –> 00:08:45.630

Hi George

104

00:08:47.430 –> 00:08:48.270

John English: Old friends.

105

00:08:48.480 –> 00:08:51.030

George Pratt: Hey man down. All right, I’m out of here.

106

00:08:53.820 –> 00:08:54.120

Montalvo Machado: Hey,

107

00:08:55.860 –> 00:08:57.000

George Pratt: I’m actually going to log in.

108

00:08:57.090 –> 00:08:59.070

George Pratt: Again, with my iPad.

109

00:08:59.310 –> 00:09:05.130

John English: Okay. Okay, so here we go. We’re going. I am going to stop share my screen is up.

110

00:09:05.880 –> 00:09:07.980

John English: My taco. Can you see the reference you’re drawing

111

00:09:08.820 –> 00:09:21.570

Montalvo Machado: Yeah, I got the reference here I got from from your email and on Tuesday between the less girl with a black hat or the other girl with a green background.

112

00:09:22.140 –> 00:09:25.560

Tim Trabon: Montalvo you an email and

113

00:09:26.790 –> 00:09:30.270

Tim Trabon: You’re just going to have to wait till you get that email and just follow that link if you can

114

00:09:30.990 –> 00:09:31.650

Montalvo Machado: Okay, no problem.

115

00:09:34.620 –> 00:09:35.010

Tim Trabon: Yeah.

116

00:09:35.850 –> 00:09:40.830

John English: Because we’re basically my top of grass needed to use a different piece of reference.

117

00:09:42.360 –> 00:09:42.600

Montalvo Machado: Right.

118

00:09:43.110 –> 00:09:43.800

Tim Trabon: Now, some way

119

00:09:45.090 –> 00:09:47.250

Tim Trabon: for artists to think, Oh, man.

120

00:09:49.410 –> 00:09:51.330

Montalvo Machado: I was setting things up here and

121

00:09:52.620 –> 00:09:53.160

I know

122

00:09:55.350 –> 00:09:56.700

Tim Trabon: We’re just giving you trouble man.

123

00:09:57.090 –> 00:10:00.750

Montalvo Machado: Okay, no problem. Absolutely. It’s gonna be fun. Is this the guy with

124

00:10:01.830 –> 00:10:04.200

Montalvo Machado: laying on the floor near here.

125

00:10:04.260 –> 00:10:05.610

Montalvo Machado: Yes, yeah.

126

00:10:05.760 –> 00:10:06.360

Yeah.

127

00:10:08.520 –> 00:10:08.970

Montalvo Machado: Okay.

128

00:10:10.470 –> 00:10:11.340

Montalvo Machado: So let’s go

129

00:10:12.390 –> 00:10:14.580

Montalvo Machado: Let’s see if I got some zoom here.

130

00:10:16.170 –> 00:10:27.930

Tim Trabon: And if you’re if anybody’s wondering, we’re going to be posting the images throughout the night. So this is our first damage because I’ve learned that if I post more than one time are painless tend to draw whatever

131

00:10:29.610 –> 00:10:30.060

Tim Trabon: So,

132

00:10:30.540 –> 00:10:31.350

Montalvo Machado: So this

133

00:10:31.920 –> 00:10:33.210

Tim Trabon: Will come up, surely.

134

00:10:33.840 –> 00:10:35.700

George Pratt: Yeah, I brought my own reference to

135

00:10:39.420 –> 00:10:41.160

John English: Thanks for being so helpful George

136

00:10:41.460 –> 00:10:43.710

Bill Koeb: My home. Oh, I like your camera setup there.

137

00:10:45.570 –> 00:10:52.110

Montalvo Machado: Oh yeah, it’s just it’s supposed to be a microphone stand, but I adapted it for a camera.

138

00:10:52.950 –> 00:10:53.370

139

00:10:55.290 –> 00:10:57.660

Montalvo Machado: It’s light and easy to set up here.

140

00:11:01.230 –> 00:11:02.790

Montalvo Machado: What do you run with Montalvo

141

00:11:03.150 –> 00:11:03.750

Montalvo Machado: Can I go

142

00:11:04.200 –> 00:11:04.950

John English: Yeah, you’re ready.

143

00:11:06.480 –> 00:11:06.810

Tim Trabon: Here we go.

144

00:11:07.050 –> 00:11:12.780

Tim Trabon: Everybody this first post is going to be 20 minutes it will be young black man.

145

00:11:13.890 –> 00:11:21.450

Tim Trabon: He’s kind of laying down next to the bed if you follow the link that I just sent, you’ll see the photo.

146

00:11:23.190 –> 00:11:23.700

And

147

00:11:27.060 –> 00:11:27.480

Tim Trabon: We want to

148

00:11:36.840 –> 00:11:40.110

Montalvo Machado: Try to stick to the 20 minute frame tonight.

149

00:11:42.900 –> 00:11:44.970

John English: Take what you need. We’re just getting warmed up.

150

00:11:45.510 –> 00:11:52.200

Tim Trabon: Right, yeah. This is just like being at Woodstock like listening to them to their guitars.

151

00:11:55.920 –> 00:11:58.410

John English: You can see the ugly underbelly

152

00:11:58.710 –> 00:12:00.570

Tim Trabon: Yeah, this is the guitar tuning.

153

00:12:03.120 –> 00:12:05.160

George Pratt: Hey, don’t sugarcoat it there, you know,

154

00:12:14.910 –> 00:12:15.900

John English: What are you drawing with

155

00:12:18.000 –> 00:12:27.690

Montalvo Machado: I’m using pesto pencils that I got this little extender here because it’s just a tiny, tiny bit of it.

156

00:12:30.360 –> 00:12:30.750

John English: So,

157

00:12:32.220 –> 00:12:52.140

Montalvo Machado: I like to draw with, you know, this kind of pastels, not the black ones because they marks. They make her to definitive, you know, and sometimes I gotta just move things around. And I think this kind of drawing with orange pastels makes it easier for me.

158

00:12:54.390 –> 00:13:08.190

Montalvo Machado: Because if I had if I have to change something or change my mind about some lines or some volumes and stuff. I don’t even need to to use a rubber. I’ll just go over this and do something like this, you know, draw again.

159

00:13:13.230 –> 00:13:15.420

George Pratt: Timmy I showed incredible restraint right then.

160

00:13:16.950 –> 00:13:18.090

Tim Trabon: Oh, I don’t even want to know.

161

00:13:20.400 –> 00:13:21.270

Tim Trabon: I went over my head.

162

00:13:23.820 –> 00:13:24.720

Tim Trabon: Don’t, don’t worry.

163

00:13:27.270 –> 00:13:28.350

Tim Trabon: Yeah, I was not listening.

164

00:13:50.040 –> 00:13:57.180

George Pratt: Is this young, young black gentleman with the earrings and stuff where the guy. Oh, I see. It’s the guy. Okay, nevermind. Got it.

165

00:13:59.100 –> 00:14:01.860

Tim Trabon: Should be only photo visible on that page.

166

00:14:02.820 –> 00:14:03.810

George Pratt: I’m using my phone.

167

00:14:04.830 –> 00:14:08.880

John English: The other thing is the funny part about that is you can’t tell from my Davos drawing

168

00:14:10.530 –> 00:14:11.010

Tim Trabon: Yeah.

169

00:14:11.250 –> 00:14:12.450

George Pratt: Well, I didn’t want to say it.

170

00:14:17.400 –> 00:14:18.450

George Pratt: Is raising you

171

00:14:22.740 –> 00:14:23.310

Bill Koeb: George

172

00:14:23.850 –> 00:14:25.710

Bill Koeb: Yes, your time will come

173

00:14:26.340 –> 00:14:27.390

George Pratt: On I know, believe me.

174

00:14:30.270 –> 00:14:30.600

George Pratt: I just

175

00:14:32.250 –> 00:14:34.980

Tim Trabon: I just have you toggle permanently George

176

00:14:35.820 –> 00:14:36.180

And I should

177

00:14:37.380 –> 00:14:38.490

Tim Trabon: Just remove

178

00:14:39.600 –> 00:14:41.430

George Pratt: It so it’s so nice to be loved.

179

00:14:49.770 –> 00:14:52.290

John English: So George. Tell us who you invited today.

180

00:14:55.110 –> 00:15:00.150

John English: You were just telling me on the way out that when you’re driving over here that you invited students

181

00:15:00.600 –> 00:15:10.050

George Pratt: I did, I did a presentation this morning from one of my students from when I taught at Pratt and he’s in Lawrence, Kansas.

182

00:15:11.310 –> 00:15:15.510

George Pratt: Oh my god at the Lawrence whatever school system, whatever, and

183

00:15:16.680 –> 00:15:18.060

George Pratt: He had me doing a thing on

184

00:15:20.730 –> 00:15:21.510

George Pratt: Line. Wait.

185

00:15:22.590 –> 00:15:33.840

George Pratt: And I brought up this the drawing sessions and stuff and said they all should show up and come in and draw with us, you know, and I did it. Also, with my class today, pushing it.

186

00:15:36.120 –> 00:15:38.040

John English: Well, we’ll see how influential you are

187

00:15:45.180 –> 00:15:53.310

Tim Trabon: George, I think it’s really interesting that you can still blame community for getting to a digital

188

00:15:56.610 –> 00:15:59.910

George Pratt: Not i’m not blaming community I’m blaming tiredness.

189

00:16:00.090 –> 00:16:00.510

Tim Trabon: I know

190

00:16:00.540 –> 00:16:01.740

George Pratt: I just got out of class.

191

00:16:03.330 –> 00:16:05.130

Tim Trabon: It’s it’s exhausting. Right.

192

00:16:05.700 –> 00:16:09.720

George Pratt: Yeah, especially when you’re doing it all day with a mask on.

193

00:16:10.800 –> 00:16:11.940

Tim Trabon: Oh man, I can’t imagine

194

00:16:12.120 –> 00:16:12.480

Montalvo Machado: Oh,

195

00:16:12.930 –> 00:16:13.650

No fun

196

00:16:17.430 –> 00:16:20.850

Tim Trabon: Is your, is your situation hybrid George, or is it all in person.

197

00:16:21.390 –> 00:16:26.490

George Pratt: It’s all a physical yes this class today. It’s a painting class.

198

00:16:27.990 –> 00:16:30.570

Tim Trabon: They’re making wear a mask in the meeting the zoom meetings.

199

00:16:34.800 –> 00:16:35.520

George Pratt: Well, it’s like

200

00:16:37.410 –> 00:16:46.050

George Pratt: Yeah, the painting classes are the only classes, actually, that are that are in the flesh, you know, and we were trying to fix it so that

201

00:16:48.570 –> 00:16:58.320

George Pratt: You know, we wouldn’t have been in the actual class with the students. But everything like we figured it out to we had our own space there everything and and

202

00:16:59.790 –> 00:17:13.050

George Pratt: But unfortunately, like it totally screwed up everything we did. And it’s just been it’s been a nightmare. So finally, I was like, You know what, I’m just going to go in here. Teach I really didn’t want to be in there with the students, but

203

00:17:14.100 –> 00:17:15.150

George Pratt: Yeah, it’s

204

00:17:15.870 –> 00:17:19.260

Tim Trabon: Kind of get us on some hit squad now from the school.

205

00:17:22.620 –> 00:17:24.720

George Pratt: I want I want your it to me.

206

00:17:27.450 –> 00:17:28.020

George Pratt: Working

207

00:17:28.320 –> 00:17:34.140

Tim Trabon: Towards I think you’d get pretty much with me. I’m like, that was the James Bond character where he’s like, move

208

00:17:36.870 –> 00:17:40.440

Tim Trabon: You remember that skit. He was that she IT guy.

209

00:17:41.430 –> 00:17:42.990

George Pratt: On what what show was it

210

00:17:43.320 –> 00:17:46.470

Tim Trabon: It was SNL he was just like the IT guy that was just

211

00:17:47.580 –> 00:17:49.710

Tim Trabon: Like a know it all. And just unpleasant.

212

00:17:50.400 –> 00:17:52.380

George Pratt: Oh, I haven’t watched watch

213

00:17:53.730 –> 00:17:54.780

George Pratt: That and forever.

214

00:17:56.100 –> 00:17:57.750

Tim Trabon: Yeah, he’d go move over.

215

00:18:00.120 –> 00:18:05.130

Tim Trabon: It was just, yeah, it was a it’s pretty good skit because it was so true.

216

00:18:08.490 –> 00:18:09.180

George Pratt: Move over.

217

00:18:11.610 –> 00:18:13.020

Tim Trabon: Steve, the IT guy.

218

00:18:14.790 –> 00:18:18.150

George Pratt: I remember the the copy room thing you know where they were all

219

00:18:18.660 –> 00:18:19.260

Tim Trabon: Raj now.

220

00:18:20.250 –> 00:18:20.640

George Pratt: Yeah.

221

00:18:21.090 –> 00:18:23.760

Tim Trabon: Now this is this is after that.

222

00:18:24.330 –> 00:18:27.270

Tim Trabon: Okay, this is the Jimmy Fallon era.

223

00:18:29.970 –> 00:18:31.500

George Pratt: Yes, yeah. I never watched that.

224

00:18:32.460 –> 00:18:34.560

Tim Trabon: That was, that was my favorite.

225

00:18:36.930 –> 00:18:37.830

Tim Trabon: Favorite chapter

226

00:18:41.160 –> 00:18:42.480

Tim Trabon: That I saw alive, I guess.

227

00:18:45.090 –> 00:18:45.300

George Pratt: I

228

00:18:45.330 –> 00:18:48.630

Tim Trabon: Like that, then I was like, watching like I would stay up on Saturdays to

229

00:18:48.630 –> 00:18:49.380

George Pratt: Okay, yeah.

230

00:18:50.880 –> 00:18:54.030

Tim Trabon: But I call. So I grew up with the older stuff too.

231

00:18:54.600 –> 00:18:59.160

George Pratt: Right Chevy Chase stuff. Yeah, I remember the very first episode.

232

00:19:00.240 –> 00:19:01.530

George Pratt: George Carlin. Yeah.

233

00:19:05.070 –> 00:19:07.440

George Pratt: Yeah, man. Do I miss that guy.

234

00:19:08.040 –> 00:19:08.460

Montalvo Machado: Yeah.

235

00:19:09.120 –> 00:19:11.700

George Pratt: He would have had a field day with all this stuff going on.

236

00:19:13.980 –> 00:19:15.030

Montalvo Machado: Lots of stuff.

237

00:19:15.030 –> 00:19:15.630

Montalvo Machado: For him to

238

00:19:18.720 –> 00:19:21.900

Montalvo Machado: Just mother him and then Christopher Hitchens

239

00:19:22.470 –> 00:19:23.430

George Pratt: Oh yeah, right.

240

00:19:23.460 –> 00:19:32.130

Montalvo Machado: They would, you know, I would just love to hear what what would be their ideas on our situation now.

241

00:19:32.730 –> 00:19:33.210

Yeah.

242

00:19:34.710 –> 00:19:35.010

George Pratt: Yeah.

243

00:19:35.070 –> 00:19:40.350

Tim Trabon: I bought a book. My dad gave me that is called the quotable Hitchens

244

00:19:40.770 –> 00:19:41.970

Tim Trabon: Yeah, it’s just like

245

00:19:42.810 –> 00:19:45.960

Tim Trabon: It’s just like 200 pages of

246

00:19:46.710 –> 00:19:48.330

Tim Trabon: Folks quotes

247

00:19:48.870 –> 00:19:58.440

Tim Trabon: And while they’re not you like the guy. It’s really amazing that he could fill 200 pages with with quotes that weren’t just didn’t become mundane. I mean,

248

00:19:58.860 –> 00:20:13.620

Montalvo Machado: If I didn’t know Christopher Hitchens, you know, his stuff I’ll be surprised, but knowing the guy, he’s able to do some real cool stuff, you know, even with quotes 200 pages. I like to look this book up

249

00:20:14.130 –> 00:20:14.340

Yeah.

250

00:20:19.740 –> 00:20:32.310

Montalvo Machado: I read a couple books. This is just and all the videos that I can, you know, try to watch it was it was such a strange thing because just when I

251

00:20:33.750 –> 00:20:40.560

Montalvo Machado: Saw Chris have written for the first time on on the internet was, I think it was a video with four guys

252

00:20:42.660 –> 00:20:43.200

Montalvo Machado: For

253

00:20:46.980 –> 00:20:51.000

Montalvo Machado: You if I just don’t remember the name but anyway.

254

00:20:52.260 –> 00:21:01.770

Montalvo Machado: I started following him then. One month later, I noticed you know I got this news that he just passed away. It’s just like, I think it was 2011

255

00:21:02.880 –> 00:21:03.840

George Pratt: So you killed him.

256

00:21:12.030 –> 00:21:13.650

Montalvo Machado: guilty about that but

257

00:21:15.090 –> 00:21:18.450

Tim Trabon: I really don’t know who Christopher Hitchens does. Yeah.

258

00:21:19.500 –> 00:21:23.160

Tim Trabon: Other than just having that book that my dad gave me. I really don’t know.

259

00:21:24.990 –> 00:21:25.950

Tim Trabon: Don’t know much about it.

260

00:21:26.640 –> 00:21:28.380

Montalvo Machado: Yeah, he’s got some interesting stuff.

261

00:21:29.010 –> 00:21:30.360

George Pratt: Yeah yeah

262

00:21:36.390 –> 00:21:40.200

Tim Trabon: George when you first saw SNL. How old are you, and

263

00:21:41.280 –> 00:21:44.370

Tim Trabon: What did you think this is gonna last 50 years

264

00:21:45.570 –> 00:21:47.400

George Pratt: I was we were in high school.

265

00:21:49.020 –> 00:21:52.800

George Pratt: I think I was 18 or 19 years old, whenever, whenever right john

266

00:21:52.980 –> 00:21:54.600

George Pratt: When it first came out the

267

00:21:55.020 –> 00:21:57.150

John English: Software junior in high school, junior high school

268

00:21:57.600 –> 00:22:00.870

George Pratt: Okay, yeah. So like 1718 years old.

269

00:22:01.560 –> 00:22:05.040

John English: At Georgetown graduate high school. Today’s 20 so he was little smile.

270

00:22:08.190 –> 00:22:10.440

George Pratt: Oh boy, gloves are off.

271

00:22:12.870 –> 00:22:14.280

Bill Koeb: You graduated high school

272

00:22:14.640 –> 00:22:16.020

George Pratt: Yeah. Well, I never did.

273

00:22:18.480 –> 00:22:19.020

George Pratt: Okay.

274

00:22:21.150 –> 00:22:22.260

George Pratt: George is one of the most

275

00:22:23.340 –> 00:22:24.690

John English: educated man. I know.

276

00:22:26.820 –> 00:22:28.110

George Pratt: I have everybody fooled.

277

00:22:36.120 –> 00:22:41.280

Tim Trabon: For those of you who have tuned in late and somebody just asked Montalvo, what are you drawing with

278

00:22:43.200 –> 00:22:44.790

Montalvo Machado: Oh yeah, this is a Pencil, pencil.

279

00:22:46.650 –> 00:22:47.100

Montalvo Machado: This

280

00:22:48.360 –> 00:23:07.800

Montalvo Machado: Is the same same material as festivals, but they they look like cancel so that they are cleaner and sometimes it’s better for making the first drawings and stuff, but I got the whole thing of pastels around here, just waiting for the joint just to get in the right place.

281

00:23:13.950 –> 00:23:15.390

Montalvo Machado: How’s How’s my time going

282

00:23:16.800 –> 00:23:17.610

John English: It’s going fine.

283

00:23:18.450 –> 00:23:19.200

George Pratt: Very quickly.

284

00:23:20.100 –> 00:23:21.240

Montalvo Machado: Very quickly, it’s just

285

00:23:23.460 –> 00:23:25.530

Montalvo Machado: My fingers one

286

00:23:25.560 –> 00:23:26.160

One minute.

287

00:23:27.720 –> 00:23:28.620

George Pratt: I’m doing

288

00:23:28.710 –> 00:23:30.120

John English: You got nine minutes.

289

00:23:30.810 –> 00:23:31.140

All right.

290

00:23:34.500 –> 00:23:35.520

George Pratt: How long was the

291

00:23:36.660 –> 00:23:40.050

George Pratt: How long was this. How much time did he hit 20

292

00:23:40.230 –> 00:23:44.790

John English: But we start we kind of stall why we were goofing around getting started, so I

293

00:23:44.820 –> 00:23:46.260

George Pratt: Feel like it’s been 20 minutes

294

00:23:46.530 –> 00:23:49.080

John English: No, I’m just teasing him. He’s got nine minutes left.

295

00:23:51.630 –> 00:23:52.230

George Pratt: Okay.

296

00:23:52.860 –> 00:23:55.410

Tim Trabon: Hey, hey, George. So you’re working digitally tonight.

297

00:23:55.890 –> 00:24:01.170

George Pratt: Yeah, I’m just wiped out. It’s like it’s setting everything up. I’m just like, oh man, forget it.

298

00:24:01.500 –> 00:24:04.470

Tim Trabon: No problem. Do you want to stream it at some point.

299

00:24:05.490 –> 00:24:06.210

George Pratt: Yeah, we’ll

300

00:24:06.840 –> 00:24:07.440

Tim Trabon: All right, cool.

301

00:24:17.820 –> 00:24:23.700

Tim Trabon: You know, I haven’t tried the multi zoom will let you do multi desktop screening now.

302

00:24:26.820 –> 00:24:27.990

Tim Trabon: But we haven’t tried it yet.

303

00:24:29.280 –> 00:24:31.650

Tim Trabon: It was really funny that we did it with Dale.

304

00:24:33.690 –> 00:24:47.160

Tim Trabon: WE WERE FEATURING I think we’re featuring Vanessa maybe or Audrey and Dale was streaming his, his digital desktop and in the recording it just, it just booted everybody else’s

305

00:24:48.330 –> 00:24:50.640

Tim Trabon: So the entire thing was just Dale dry.

306

00:24:52.260 –> 00:24:52.740

It’s just

307

00:24:53.940 –> 00:24:56.340

Tim Trabon: It’s just their updates not catching up with that.

308

00:24:57.840 –> 00:24:59.280

I know, yeah.

309

00:25:01.740 –> 00:25:04.530

Tim Trabon: They think that if you’re sharing your screen you’re doing a little PowerPoint.

310

00:25:05.880 –> 00:25:06.300

George Pratt: Right.

311

00:25:07.500 –> 00:25:07.800

So,

312

00:25:15.510 –> 00:25:18.840

Tim Trabon: Who is I’m just curious in the crowd. Who’s tuning in for the first time.

313

00:25:26.490 –> 00:25:27.990

Montalvo Machado: I invited a couple of people again.

314

00:25:28.410 –> 00:25:31.020

Montalvo Machado: Maybe there are some newbies around

315

00:25:33.390 –> 00:25:34.620

Tim Trabon: Down Roger second

316

00:25:36.120 –> 00:25:38.880

Tim Trabon: Second time. That name sounds familiar.

317

00:25:40.230 –> 00:25:40.650

Tim Trabon: Yeah.

318

00:25:40.980 –> 00:25:42.120

John Rogers.

319

00:25:43.440 –> 00:25:50.910

John English: Came to the Academy was instructor at scab for years just retired. Thank you for joining us. Don

320

00:25:51.270 –> 00:25:51.990

Congrats.

321

00:25:54.240 –> 00:25:54.930

Tim Trabon: Very cool.

322

00:25:55.920 –> 00:25:57.660

Tim Trabon: Good artist. Awesome.

323

00:25:58.980 –> 00:26:00.930

Tim Trabon: Somebody found the event on Facebook.

324

00:26:02.040 –> 00:26:05.670

Tim Trabon: Great. It’s good. It’s good to hear. That’s worth their while.

325

00:26:07.680 –> 00:26:07.920

Tim Trabon: Yeah.

326

00:26:25.980 –> 00:26:29.520

Tim Trabon: I gotta say if you’re attending if you’re not drawing it doesn’t count.

327

00:26:32.550 –> 00:26:35.640

Tim Trabon: There a couple of people have said they’re just lurking

328

00:26:38.820 –> 00:26:39.420

John English: That’s okay.

329

00:26:39.780 –> 00:26:40.170

Yeah.

330

00:26:42.360 –> 00:26:42.960

Montalvo Machado: That’d be there.

331

00:26:44.730 –> 00:26:49.800

Tim Trabon: hopefully all of you who are attending for their first time miss the first five minutes.

332

00:26:51.540 –> 00:26:53.670

John English: Yeah, kind of apologize about that today.

333

00:26:56.430 –> 00:26:57.030

John English: Nothing.

334

00:26:58.800 –> 00:26:59.310

George Pratt: Hey,

335

00:26:59.640 –> 00:26:59.940

Greg.

336

00:27:01.890 –> 00:27:06.270

Tim Trabon: You know everything you’ve heard about these colleges having nightmares. It was the opposite of that.

337

00:27:11.970 –> 00:27:12.330

Yeah.

338

00:27:14.280 –> 00:27:17.760

Tim Trabon: Was like a Steve Jobs keynote presentation.

339

00:27:20.520 –> 00:27:21.270

George Pratt: His work.

340

00:27:23.400 –> 00:27:23.730

Tim Trabon: Say,

341

00:27:24.540 –> 00:27:28.260

John English: Okay, if you weren’t here. We’re not talking

342

00:27:55.980 –> 00:27:58.440

Tim Trabon: Also, I should add, this is your first time joining

343

00:28:00.480 –> 00:28:07.020

Tim Trabon: Montalvo. This is your second time drawing with us. Bill Koch, you’re, you’re a series regular

344

00:28:08.610 –> 00:28:11.640

Tim Trabon: And you’re a recurring guest to our

345

00:28:13.980 –> 00:28:33.540

Tim Trabon: I but I you should all know if this is your first time joining almost every week we have kind of a different cast of artists some more regular than others. We try to change it up, send out invites to our art buddies to join and draw with us every Thursday night.

346

00:28:34.650 –> 00:28:40.740

Tim Trabon: So really never know who’s going to be here, which is, I think, makes it exciting kind of fun.

347

00:28:42.450 –> 00:28:44.700

John English: A lot of good drawers come through here.

348

00:28:46.440 –> 00:28:48.360

Tim Trabon: That’s the only thing you can count on.

349

00:28:49.980 –> 00:28:53.040

John English: A lot of great drawers come through here. So,

350

00:28:53.130 –> 00:28:54.690

George Pratt: So Chris is on the road. Huh.

351

00:28:55.260 –> 00:28:57.420

John English: He’s on the road, but

352

00:28:58.710 –> 00:29:08.310

John English: Like Monday he sends me a message on Monday said hey john I’m going to be traveling on Thursday. Can you send me the reference because I’m going to do the drawings from my hotel room.

353

00:29:09.270 –> 00:29:11.100

Tim Trabon: Yeah, he’s got himself.

354

00:29:12.060 –> 00:29:12.750

John English: Probably

355

00:29:13.080 –> 00:29:18.990

George Pratt: Which isn’t fair, because then he gets to spend all this time on on make it look nice. He buffs them up. Yeah, yeah.

356

00:29:21.360 –> 00:29:22.980

John English: Yeah Chris is really not as good.

357

00:29:22.980 –> 00:29:24.150

John English: As he actually looks

358

00:29:24.510 –> 00:29:26.520

John English: Exactly right.

359

00:29:28.110 –> 00:29:31.530

John English: We all want to bring a little comfort by saying that but

360

00:29:32.910 –> 00:29:35.730

John English: Unfortunately, Chris is as good as he actually is.

361

00:29:37.740 –> 00:29:38.400

John English: He’s amazing.

362

00:30:09.300 –> 00:30:12.150

Tim Trabon: shaver says, I always here for the rough start

363

00:30:15.810 –> 00:30:18.240

Tim Trabon: I think it’s better to call it guitar tuning.

364

00:30:20.460 –> 00:30:21.750

Tim Trabon: tuning our instruments.

365

00:30:22.470 –> 00:30:23.550

John English: What rough start

366

00:30:26.280 –> 00:30:27.660

Tim Trabon: That’s all by design.

367

00:30:30.120 –> 00:30:31.080

Montalvo Machado: Plan that’s

368

00:30:35.670 –> 00:30:37.560

Tim Trabon: You know, it’s good to have you here again.

369

00:30:39.540 –> 00:30:40.650

Tim Trabon: Miss you last week.

370

00:30:40.710 –> 00:30:42.450

Thank you. Yeah.

371

00:31:23.520 –> 00:31:31.710

Montalvo Machado: Hey Timmy, you’re going to post that picture that you talked about the on our last meeting with your father Frank Zappa

372

00:31:36.180 –> 00:31:40.050

Tim Trabon: Allah. I’ll see if I can dig it up. I think I might have it on my computer.

373

00:31:41.730 –> 00:31:42.570

Montalvo Machado: Just got good

374

00:33:21.600 –> 00:33:23.880

Tim Trabon: So this is when they’re supposed to stop drawing

375

00:33:26.040 –> 00:33:27.120

John English: I don’t know if they heard me.

376

00:33:28.140 –> 00:33:29.040

Bill Koeb: Man, yeah.

377

00:33:29.520 –> 00:33:30.720

Tim Trabon: They did this is

378

00:33:32.820 –> 00:33:35.280

Tim Trabon: We don’t have a strict stop drawing policy.

379

00:33:36.600 –> 00:33:37.410

Tim Trabon: Pencils DOWN.

380

00:33:41.430 –> 00:33:44.580

Bill Koeb: Depends on if He’s counting Timmy minutes or 90 minutes. Yeah.

381

00:33:48.150 –> 00:33:49.200

John English: We can we can start

382

00:33:51.630 –> 00:33:54.120

Montalvo Machado: Time seems to run faster when you were drawing here.

383

00:33:57.270 –> 00:33:58.410

John English: Funny how that works.

384

00:34:14.100 –> 00:34:15.300

John English: Bill you up next.

385

00:34:15.630 –> 00:34:16.080

Sure.

386

00:34:18.210 –> 00:34:19.020

John English: What was your

387

00:34:19.170 –> 00:34:19.740

Again,

388

00:34:21.240 –> 00:34:25.230

Tim Trabon: There’s no, there’s no photo choosing Right now john it

389

00:34:26.550 –> 00:34:28.590

Tim Trabon: Remember we discussed what was up next.

390

00:34:28.920 –> 00:34:31.500

Bill Koeb: Yeah. Why pick the one with the girl with the

391

00:34:33.210 –> 00:34:35.010

Bill Koeb: Was kind of a close up and it should red hair.

392

00:34:36.660 –> 00:34:38.130

Bill Koeb: Should my shadow on her face.

393

00:34:39.180 –> 00:34:42.630

Tim Trabon: The next john. So do you want to go next job.

394

00:34:43.050 –> 00:34:44.370

John English: What’s the next one to Brian

395

00:34:44.580 –> 00:34:45.840

Tim Trabon: About the Bray. Yeah.

396

00:34:47.490 –> 00:34:51.450

John English: It doesn’t matter to me if somebody else wants to draw that they’re welcome to

397

00:34:53.400 –> 00:34:55.620

John English: I’m pretty distracted right now.

398

00:34:56.190 –> 00:34:58.590

Tim Trabon: We need a leader, Bill. Do you want to drop

399

00:35:01.020 –> 00:35:03.510

Bill Koeb: Um, yeah, I could try this one. Sure.

400

00:35:04.530 –> 00:35:05.490

George Pratt: Which one is it

401

00:35:05.700 –> 00:35:08.280

Bill Koeb: It’s a girl with a burger. A pretty green eyes.

402

00:35:08.790 –> 00:35:12.510

Tim Trabon: You just go to the webpage and hit refresh. You’ll see it.

403

00:35:12.900 –> 00:35:16.020

George Pratt: I just have the ones john sent me so I see what you’re saying.

404

00:35:16.410 –> 00:35:17.310

Bill Koeb: Yeah, I’ll try that.

405

00:35:17.610 –> 00:35:19.500

George Pratt: Little red thing in the front of it.

406

00:35:20.160 –> 00:35:20.610

Yeah.

407

00:35:27.390 –> 00:35:31.650

Tim Trabon: Alright everybody, so if you do that last image with us.

408

00:35:33.300 –> 00:35:43.560

Tim Trabon: Thank you. And be sure to share it and I’m going to share right here. Be sure to include these in your tags.

409

00:35:44.730 –> 00:35:50.220

Tim Trabon: You can also share it with us on facebook group. The illustration isolation Facebook group page is a

410

00:35:51.360 –> 00:36:04.380

Tim Trabon: Become a really fun hang out during the week. I think we’re going to continue to post reference photography on Mondays, just to keep things moving during the week so everybody who

411

00:36:05.520 –> 00:36:06.750

Tim Trabon: Participated in that

412

00:36:08.280 –> 00:36:10.380

Tim Trabon: Awesome, a lot of really cool work.

413

00:36:11.430 –> 00:36:13.170

Tim Trabon: To watch get made mid week

414

00:36:19.980 –> 00:36:26.280

John English: Whole bunch of chats in here that I have not even looked at even follow them in the chat.

415

00:36:27.810 –> 00:36:28.260

John English: Timmy.

416

00:36:36.810 –> 00:36:39.630

Tim Trabon: You’re in your studio just stopping by. Hey,

417

00:36:47.970 –> 00:36:50.250

Bill Koeb: Struggling with the glasses, no glasses thing.

418

00:37:35.790 –> 00:37:37.170

Tim Trabon: Is it been a busy week for you go

419

00:37:38.340 –> 00:37:40.770

Tim Trabon: What have you had a busy week

420

00:37:41.580 –> 00:37:43.050

Bill Koeb: Um, yeah, I’ve been

421

00:37:45.030 –> 00:37:45.990

Bill Koeb: Working on

422

00:37:48.930 –> 00:37:49.410

Bill Koeb: Some

423

00:37:50.430 –> 00:37:56.700

Bill Koeb: I want to do a workshop sometime in October, like little two hour thing. And so I’ve been working on.

424

00:37:58.740 –> 00:38:00.510

Bill Koeb: Developing the stuff for that.

425

00:38:03.450 –> 00:38:04.170

Bill Koeb: And

426

00:38:09.690 –> 00:38:12.720

And do an old color studies, things like that.

427

00:38:16.830 –> 00:38:27.060

What are the color studies for their to show students for this whole to two hour workshop. Okay, so they’re part of the workshop. Yeah, it’s part of the workshop and

428

00:38:28.800 –> 00:38:35.850

I’m going to do it. I’m going to do a talk about to cut to color painting or well two colors plus y

429

00:38:41.130 –> 00:38:42.960

Is if anybody should stand up.WEBVTT

00:00:04.589 –> 00:00:05.160

John English: What’s good

00:00:09.030 –> 00:00:09.870

George Pratt: About tech support.

00:00:13.590 –> 00:00:16.740

Tim Trabon: When you get john English and George Pratt in a zoom room.

00:00:18.090 –> 00:00:19.710

Tim Trabon: There’s not a lot you can do

00:00:24.030 –> 00:00:25.740

Tim Trabon: It is a it is a

00:00:26.970 –> 00:00:27.900

Tim Trabon: Uphill battle.

00:00:32.130 –> 00:00:34.680

John English: I’m really kind of taken back by that because

00:00:37.980 –> 00:00:39.570

John English: Normal fall. Guys, Chris.

00:00:42.270 –> 00:00:44.070

Tim Trabon: Well, because he says easy to

00:00:46.410 –> 00:00:50.070

Tim Trabon: You know why. It’s because he like he wears it like a badge of honor.

00:00:51.960 –> 00:00:52.680

Bill Koeb: was true.

00:00:53.280 –> 00:00:53.640

Yeah.

00:00:58.770 –> 00:01:00.810

Bill Koeb: Last week I spent the entire week.

00:01:02.010 –> 00:01:04.230

Bill Koeb: I have a friend that’s a sign installer.

00:01:05.640 –> 00:01:06.540

Bill Koeb: Sign Painter

00:01:07.590 –> 00:01:12.870

Bill Koeb: And I spent almost all week at UNC helping installed vinyl graphics

00:01:15.960 –> 00:01:17.730

Bill Koeb: Interest. Good work. It’s pretty good.

00:01:21.420 –> 00:01:35.190

Tim Trabon: I’m I’m I’m disappointed for it, somebody just said the base of technical difficulties, I’m disappointed for anybody who joined for the first time, we do not have technical difficulty problems, often outside of Chris Payne

00:01:38.190 –> 00:01:39.270

Tim Trabon: And and Chris

00:01:40.470 –> 00:01:45.090

Tim Trabon: Chris pays for his entry with his talent. So

00:01:47.430 –> 00:01:48.030

John English: It’s Chris

00:01:48.660 –> 00:01:48.960

Yeah.

00:01:50.640 –> 00:01:51.930

Tim Trabon: We, we will

00:01:53.370 –> 00:01:56.880

Tim Trabon: Will accept some technical difficulty based on scale.

00:01:59.280 –> 00:01:59.640

You know,

00:02:00.960 –> 00:02:04.770

Tim Trabon: It’s kind of like Shaquille O’Neal can’t make any free throws.

00:02:06.540 –> 00:02:08.280

Tim Trabon: makes up for it elsewhere.

00:02:08.940 –> 00:02:15.450

John English: I’ll tell you a very funny story about that lady to Gary Kelly this conversation that came up about

00:02:17.010 –> 00:02:22.320

John English: The students. This was probably seven or eight years ago. Students were listening to Gary talk about his

00:02:23.370 –> 00:02:32.670

John English: Illustration process and delivering his work and and they were kind of shocked that he still he still delivered all of his work as originals.

00:02:33.180 –> 00:02:44.100

John English: He has trees a traditional Illustrator and he worked whatever he was working at the time, whether it was model type or Pascal, or even oh no he would send the original piece.

00:02:45.210 –> 00:02:47.670

John English: And so this debate to start it and this one’s

00:02:48.810 –> 00:02:59.430

John English: Going to kind of went on site, Gary. That’s not going to last very long. People are going to quit using you because you’re so behind behind it. Yeah, the time. So he said, why I kind of look at it a little differently and

00:03:00.990 –> 00:03:05.190

John English: So he said, I like to think about. Like when I send an art director a package.

00:03:06.300 –> 00:03:10.530

John English: There, get this, like they have to unwrap the package. It’s like they’re getting a Christmas present.

00:03:11.400 –> 00:03:17.580

John English: And so the student went on to tell them why that wasn’t going to work and how it wasn’t going to happen any simple this is

00:03:18.570 –> 00:03:33.390

John English: Anyone on to say, Well, I’ve done, I’ve done these few projects and I’ve always delivered it now, you know, delivered digitally to the art director of the art director has opportunity we can make changes quicker and all the benefits of digital delivery and

00:03:33.840 –> 00:03:34.620

George Pratt: You aren’t going to

00:03:36.420 –> 00:03:42.060

John English: Carry looked at him really seriously, he said. He said, but there’s still one difference. You’re not counting for

00:03:43.350 –> 00:03:48.540

John English: The students that will, what’s that Mr. Kelly, because my clients are getting a Gary Kelly.

00:03:52.380 –> 00:03:53.010

John English: Beautiful.

00:03:53.790 –> 00:03:54.330

John English: Look,

00:03:54.720 –> 00:04:00.090

John English: They’re opening up an original Gary Kelly and I don’t care how you deliver yours. They’re still getting into Gary Keller.

00:04:01.530 –> 00:04:13.320

Tim Trabon: Because they say if the student. The student has a point in that if you don’t have 30 years of experience or 40 years of experience that goes back to a pre faxing era.

00:04:13.740 –> 00:04:17.880

John English: Yeah. What was the only reason I told that to that.

00:04:18.570 –> 00:04:19.140

Tim Trabon: Oh, yeah.

00:04:19.410 –> 00:04:23.010

John English: What you were saying about yeah it’s Chris pain, you can get away with it. It’s Chris

00:04:23.910 –> 00:04:35.730

Tim Trabon: Yeah. Now, many people get the past the tech tech ass, especially when you attended tech program because I gotta say. JOHN We are not anti tech

00:04:36.360 –> 00:04:37.500

John English: Oh, definitely not.

00:04:38.430 –> 00:04:39.540

John English: No wouldn’t be

00:04:39.690 –> 00:04:42.600

Tim Trabon: One anybody at the mistake that

00:04:42.930 –> 00:04:44.970

George Pratt: Is just pick is anti you

00:04:45.630 –> 00:04:46.020

Yeah.

00:04:48.690 –> 00:04:49.950

John English: Doesn’t work well with me.

00:05:17.190 –> 00:05:21.000

John English: Illustration is always followed technology. It’s always been a product

00:05:23.160 –> 00:05:27.330

John English: Technology and then it continues to change because of it and always will.

00:05:29.370 –> 00:05:37.440

John English: mass producing with the printing press allowed illustration to exist. Basically, and whatever.

00:05:38.610 –> 00:05:51.270

John English: Whatever technology. I mean, it was kind of interesting. I always thought that I love listening to people talk 20 years ago about it’s the end of traditional illustration. It’s the end of

00:05:52.140 –> 00:06:00.720

John English: June in general with digital photography and it took a huge, it was really interesting photography took a bigger hit. Um, yeah.

00:06:01.170 –> 00:06:02.610

George Pratt: With the iPhone and everything.

00:06:02.910 –> 00:06:03.690

Absolutely.

00:06:04.920 –> 00:06:12.300

John English: But you got to change. You got to adapt and so many new marketplaces have opened up for good visual storytellers so

00:06:14.130 –> 00:06:17.520

John English: Important work and pay attention to technology.

00:06:22.680 –> 00:06:26.700

Tim Trabon: I would say that photography has more opportunities now.

00:06:28.440 –> 00:06:29.280

Tim Trabon: To more people

00:06:29.970 –> 00:06:33.540

John English: Well, seriously though to me. I mean,

00:06:34.980 –> 00:06:44.460

Tim Trabon: I know you’re talking about. But I’m saying the playing field has been leveled and really great way because, see, you know what, what’s really wild is like

00:06:46.380 –> 00:06:57.330

Tim Trabon: I mean I I saw it firsthand, there was a whole new age group of young artists starting studios and production is is that could have never fathom ugly.

00:06:58.800 –> 00:07:12.030

Tim Trabon: Funded you know it was a the opportunities about it. Now if you’re talking about like the stock photo industry. Yeah, I got you know that that decimated things

00:07:13.350 –> 00:07:13.710

Yeah.

00:07:15.000 –> 00:07:17.250

John English: That’s part of it for sure. Yeah.

00:07:19.830 –> 00:07:21.690

Tim Trabon: But it is really interesting like

00:07:23.070 –> 00:07:24.510

Tim Trabon: Like you know

00:07:25.770 –> 00:07:28.560

Tim Trabon: I don’t even I can’t even like began to really guess

00:07:29.700 –> 00:07:40.860

Tim Trabon: How much, but like, you know, what did it cost you know 20 years ago to open up a photo studio compared to what it would cost. Now to open up a fully functioning photo studio

00:07:42.360 –> 00:07:44.640

Tim Trabon: Pretty, pretty different you know

00:07:45.570 –> 00:07:46.050

Yeah.

00:07:49.380 –> 00:07:53.460

Tim Trabon: Now that doesn’t mean anything about a good function for testicle. Yeah.

00:07:56.970 –> 00:08:09.240

George Pratt: Well, I was like, when desktop publishing hit yet everybody in their dog, you know, able to finally do some of this stuff. And there was a whole lot of really bad stuff, you know, and it finally sort of evens out a little bit.

00:08:10.740 –> 00:08:12.810

George Pratt: Where the cream rises to the top.

00:08:13.290 –> 00:08:20.430

Tim Trabon: Yeah, I mean, like what yeah it’s like who cares if there’s bad stuff like you’re saying like yeah the cream rises, you know, people are going to

00:08:21.480 –> 00:08:24.930

Tim Trabon: Appreciate the good stuff. Hopefully the talented artists.

00:08:26.490 –> 00:08:26.880

You know,

00:08:27.900 –> 00:08:29.460

Tim Trabon: Yeah forward.

00:08:34.830 –> 00:08:37.500

Tim Trabon: You know the cream rises, the crop. Yeah.

00:08:38.940 –> 00:08:39.300

Tim Trabon: Like

00:08:40.470 –> 00:08:46.500

Tim Trabon: You know, like, that’s why you know like 20 million people watch. Keeping up with the Kardashians.

00:08:50.940 –> 00:08:52.500

Tim Trabon: Good stuff just

00:08:54.840 –> 00:08:55.290

George Pratt: It just

00:08:57.840 –> 00:08:58.500

George Pratt: Well,

00:09:01.020 –> 00:09:01.440

Tim Trabon: Yeah.

00:09:03.090 –> 00:09:14.640

George Pratt: Yeah, you know, you know, who lives here in Sarasota to is Jerry Springer. And it’s like, he started it, it’s like wow you know I’m amazing people walk around and I’ll be mugged. Yeah.

00:09:16.230 –> 00:09:18.270

George Pratt: That that right that race to the bottom.

00:09:30.690 –> 00:09:33.390

Montalvo Machado: race to the bottom and seems to be a worldwide movement.

00:09:34.440 –> 00:09:35.070

George Pratt: Yeah.

00:09:35.820 –> 00:09:37.440

Montalvo Machado: Scary really

00:09:38.460 –> 00:09:39.150

George Pratt: Really is.

00:09:39.990 –> 00:09:44.310

Tim Trabon: How do you, George on the topic of the

00:09:46.860 –> 00:09:48.660

Tim Trabon: Bottom. No, I was gonna say

100

00:09:48.780 –> 00:10:02.520

Tim Trabon: Bottom because I remember I was talking with I was in a group of photographers like years ago and they were just ragging on this photographer who would I mean it was a, I would say that for the most part.

101

00:10:03.660 –> 00:10:05.280

Tim Trabon: It was a it was a

102

00:10:07.350 –> 00:10:22.230

Tim Trabon: Meeting of jealousy of a bunch of people talking about one artist who was just seeing a lot of success. And, you know, arguably, you could argue that he had like there was nothing good about his work.

103

00:10:22.620 –> 00:10:25.080

Tim Trabon: Yeah, but for whatever reason.

104

00:10:26.520 –> 00:10:35.790

Tim Trabon: He was like the talk of the town not you know the colloquial saying like he was just getting work he was doing. Everybody was hiring him and so

105

00:10:37.170 –> 00:10:41.250

Tim Trabon: How do you feel about stuff like that like an illustration. Well, is that just kind of like, Don’t hate the player.

106

00:10:43.200 –> 00:10:45.750

George Pratt: Yeah, I mean I, you know, shoot, I can remember.

107

00:10:47.100 –> 00:10:51.570

George Pratt: Being you know insanely jealous about the work. Some people were getting, you know,

108

00:10:53.730 –> 00:11:03.780

George Pratt: Which was really stupid because it’s like they didn’t do what I did. You know what I mean, it’s like we didn’t do the same stuff. So I would never have gotten those jobs in the first place, but it was like

109

00:11:04.860 –> 00:11:08.460

George Pratt: But still you know saga Bilson cabbage.

110

00:11:09.210 –> 00:11:10.140

Happiness.

111

00:11:11.790 –> 00:11:29.910

George Pratt: Bill, Bill. Bill, the same, same thing. You know that he used to like really used to really bugging that people were getting the certain kind of jobs and whatever and and then he sort of realized like he just sort of woke up and was like, he’s just glad anybody’s doing anything, you know,

112

00:11:31.290 –> 00:11:33.960

George Pratt: But it took a while to get to that place, you know,

113

00:11:36.090 –> 00:11:40.080

George Pratt: That there’s always going to be that you know that faction that just

114

00:11:41.700 –> 00:11:44.040

George Pratt: What is it, you know, what’s it gonna hate. Whatever.

115

00:11:44.730 –> 00:11:45.720

Tim Trabon: You just gotta hate

116

00:11:47.700 –> 00:11:50.190

Tim Trabon: Um, yeah, I

117

00:11:52.470 –> 00:12:04.710

Tim Trabon: I I listened to pry like every week. I probably listen to an interview with somebody I know really nothing about. And this week, this will be a divisive one. I wasn’t do an interview with Tom Brady and

118

00:12:06.570 –> 00:12:13.110

Tim Trabon: Whether or not you have opinions on Tom Brady, because all I kind of knew is that he had an insane diet, but I didn’t really know if he was like

119

00:12:13.770 –> 00:12:23.550

Tim Trabon: I didn’t know it is is out his outlook was on greatness or whatever. But one of the things that I thought was really interesting is somebody just said he cheats

120

00:12:25.230 –> 00:12:28.110

Tim Trabon: Now one of the things that he said that I thought was really interesting. He talks about

121

00:12:29.280 –> 00:12:43.350

Tim Trabon: Like greatness and that like if I think a great example is like if Michael Jordan had his if his, uh, if his measurement of greatness. I’d been, I don’t know, say,

122

00:12:44.340 –> 00:12:53.040

Tim Trabon: Larry Bird or anything. If it had not been just himself, the day before he never would have become Michael Jordan like

123

00:12:53.850 –> 00:13:01.350

Tim Trabon: It was this if you measure your if you measure your progress, based on other people. Is it really, I thought, I thought it was a really interesting

124

00:13:02.340 –> 00:13:11.790

Tim Trabon: Perspective, because he talks about talking with young athletes that are getting into the league basically saying like, How good do you want to be.

125

00:13:14.400 –> 00:13:25.020

Tim Trabon: I don’t know, to me, it really transfer to the creative world and that it’s like if you compare yourself to someone else, or if you’re only everything in about what other, other people are doing.

126

00:13:26.520 –> 00:13:27.930

Tim Trabon: You really set the ceiling.

127

00:13:29.100 –> 00:13:30.930

Tim Trabon: At that at what they’re doing, you know,

128

00:13:31.650 –> 00:13:34.260

Tim Trabon: Yeah. What do you do when you out paste them.

129

00:13:41.820 –> 00:13:43.410

Tim Trabon: You know Tom Brady is right, George.

130

00:13:44.160 –> 00:13:44.880

George Pratt: No, I don’t.

131

00:13:46.980 –> 00:13:49.230

Bill Koeb: Know the Father and that should show

132

00:13:51.780 –> 00:13:52.680

George Pratt: The Brady Bunch.

133

00:13:52.800 –> 00:13:54.780

Tim Trabon: I don’t know me or not.

134

00:13:55.530 –> 00:13:56.370

John English: You’re just not

135

00:13:57.690 –> 00:14:01.830

Tim Trabon: George is being real. I know George is being real. I think those massive

136

00:14:03.360 –> 00:14:04.680

John English: Massive with. Yeah. Pretty sure

137

00:14:07.980 –> 00:14:08.100

John English: I

138

00:14:08.820 –> 00:14:11.070

Tim Trabon: Also know that our whole audience is like bra.

139

00:14:16.410 –> 00:14:16.680

Tim Trabon: Tom

140

00:14:19.380 –> 00:14:19.830

Bill Koeb: Jones.

141

00:14:20.310 –> 00:14:20.640

Yeah.

142

00:14:22.680 –> 00:14:28.860

John English: There’s there’s somebody Tom Jones, I saw Tom Tom Jones perform live about 15 years ago.

143

00:14:29.880 –> 00:14:33.390

John English: It was one of most gratifying experiences in my life. The guy was amazing.

144

00:14:34.560 –> 00:14:42.540

John English: Incredible craftsman. I couldn’t stand Tom Jones before I went into the concert and I got done and I was like, this guy is amazing.

145

00:14:44.970 –> 00:14:51.600

John English: He devoted his life to skill and craft and he perfected it and he was just absolutely astounding performer.

146

00:14:53.820 –> 00:14:54.390

John English: You can cry.

147

00:14:54.900 –> 00:14:55.830

Tim Trabon: How long ago that

148

00:14:56.670 –> 00:14:57.660

John English: 15 years ago.

149

00:14:59.760 –> 00:15:06.840

John English: So I’m in Vegas and was given tickets. And I was like, man, I do not want to go to this thing.

150

00:15:08.160 –> 00:15:18.990

John English: I was so bummed out when I could, I would have walked back right back into the concert, if he was doing another one. He was just, it was so unbelievably good it was all about.

151

00:15:20.010 –> 00:15:26.460

John English: Somebody that had a devoted his life to developing a really high level of craft and

152

00:15:27.000 –> 00:15:28.170

John English: He definitely did it.

153

00:15:38.160 –> 00:15:44.190

Montalvo Machado: This kind of virtuosity is fascinating in any field just like

154

00:15:45.510 –> 00:15:56.880

Montalvo Machado: Tennis or dancing or whatever you you look at someone doing something really special doing better than anyone else. I think it’s a fascinating experience.

155

00:15:57.900 –> 00:15:58.380

John English: I agree.

156

00:16:02.310 –> 00:16:06.600

Montalvo Machado: sometimes surprising. It’s just like watching some of these YouTube

157

00:16:07.680 –> 00:16:16.620

Montalvo Machado: Things that people do like Woodcraft they put that into a machine that is just spend the woods and go crafting it

158

00:16:17.430 –> 00:16:30.870

Montalvo Machado: Sometimes I spent like half an hour just watching one guy doing a face never seen that before. It’s just like, It’s beautiful to see someone doing you know excellence in anything that is amazing.

159

00:16:34.500 –> 00:16:39.900

Tim Trabon: Montalvo I got pulled into a YouTube video watching someone restore like a

160

00:16:40.920 –> 00:16:45.750

Tim Trabon: I don’t know about 600 year old painting and it was

161

00:16:47.220 –> 00:16:54.210

Tim Trabon: It was just absolutely like you’re saying like, I, I, it was just beyond me could not believe it.

162

00:16:55.110 –> 00:16:56.490

Montalvo Machado: It’s beautiful, isn’t it, yeah.

163

00:16:59.940 –> 00:17:06.030

Tim Trabon: I almost shared it to our Facebook group. But then I was like, God, nobody here everybody will be like God seen that before.

164

00:17:07.380 –> 00:17:08.130

Montalvo Machado: Maybe not that

165

00:17:11.970 –> 00:17:12.900

Montalvo Machado: I’d like to see that.

166

00:17:13.230 –> 00:17:20.190

Tim Trabon: It looked like magic to me. It was really it was it was I think it was it what, to me it was wild. As I was like

167

00:17:21.210 –> 00:17:25.110

Tim Trabon: And maybe somebody knows the answer to this. I was just like, where do you go

168

00:17:26.130 –> 00:17:27.720

Tim Trabon: How do you get schooled on that.

169

00:17:29.610 –> 00:17:30.060

Tim Trabon: You know,

170

00:17:33.120 –> 00:17:36.780

John English: Go to school for to become a curator right

171

00:17:38.610 –> 00:17:43.440

Tim Trabon: But then, I guess, at a certain point, though a lot. I mean, a lot of it is you get the secrets.

172

00:17:45.210 –> 00:17:50.340

Tim Trabon: I guess for me it was like like john you say go to school, be a curator, but for me it’s like

173

00:17:51.900 –> 00:18:05.010

Tim Trabon: I made a food stylist once and I was like, how did you become a food stylist. Now, like it’s just one of those things were like you have to meet like 100 people and they all tell you the little secrets that they figured out their work.

174

00:18:06.570 –> 00:18:09.990

Tim Trabon: And that’s how you you know you learn it is you get all these little

175

00:18:11.280 –> 00:18:11.730

Tim Trabon: You know,

176

00:18:11.970 –> 00:18:13.290

Shortcuts from everybody.

177

00:18:16.560 –> 00:18:17.010

Tim Trabon: And I don’t know.

178

00:18:18.210 –> 00:18:25.020

Tim Trabon: Maybe there’s a school that specializes in restoring you know 550 year old paintings. Well, then

179

00:18:26.550 –> 00:18:29.550

Tim Trabon: We should start a course on that john yeah

180

00:18:29.580 –> 00:18:32.640

John English: Bill got it right. It’s there’s conservative programs for sure.

181

00:18:33.090 –> 00:18:36.270

Bill Koeb: Yeah, I’ll do it. I’ll do it like a renaissance

182

00:18:36.300 –> 00:18:38.010

Tim Trabon: Painting restoration online.

183

00:18:38.010 –> 00:18:38.490

Course

184

00:18:40.800 –> 00:18:45.420

Tim Trabon: If you sign up. We’ll send you will send you your damaged Renaissance painting.

185

00:18:48.510 –> 00:18:48.810

Yeah.

186

00:18:51.600 –> 00:18:53.310

John English: There might be a few waivers in that one.

187

00:18:55.710 –> 00:18:59.520

Tim Trabon: Okay, pay for the Renaissance, the damage Renaissance painting when they sign up

188

00:19:01.740 –> 00:19:05.460

Bill Koeb: Is there, is there a course where you get to damage the Renaissance painting.

189

00:19:06.720 –> 00:19:08.130

Tim Trabon: That would make it really a

190

00:19:09.150 –> 00:19:10.770

Tim Trabon: Really great ecosystem bill.

191

00:19:13.740 –> 00:19:14.190

Tim Trabon: Yeah.

192

00:19:16.350 –> 00:19:16.470

193

00:19:19.200 –> 00:19:22.050

Montalvo Machado: Think I saw a few years ago, some

194

00:19:23.670 –> 00:19:32.610

Montalvo Machado: I think was Norman Rockwell painting that was really damage and they took it to a risk, you know, some restoration

195

00:19:33.330 –> 00:19:52.320

Montalvo Machado: Studio and they did a beautiful, beautiful job and it just and gluing it from the base first and then you know treating the paper and trying not to damage. You know what, what was already old and then you know it was beautiful craftsmanship there.

196

00:20:00.930 –> 00:20:09.030

Tim Trabon: We are Allah says, yep, there’s a bunch of restoration masters, but they usually require six years of chemistry now. Wow.

197

00:20:09.570 –> 00:20:10.080

Montalvo Machado: That’s true.

198

00:20:10.650 –> 00:20:11.400

Bill Koeb: Yeah, because I

199

00:20:13.710 –> 00:20:17.010

Bill Koeb: Know what’s gonna what’s going to take off the varnish and not not the

200

00:20:18.300 –> 00:20:18.870

Montalvo Machado: Absolutely.

201

00:20:19.140 –> 00:20:20.130

Tim Trabon: Six years

202

00:20:22.290 –> 00:20:22.920

Tim Trabon: That’s why I’ll

203

00:20:25.830 –> 00:20:26.880

Montalvo Machado: Just like medicine.

204

00:20:27.120 –> 00:20:32.100

Tim Trabon: Yeah, I was just gonna say three more years and they can perform surgery on that painting.

205

00:20:32.400 –> 00:20:32.820

Yeah.

206

00:20:40.620 –> 00:20:44.370

Montalvo Machado: But the difference is that the patient won’t die if you do something wrong.

207

00:20:49.290 –> 00:20:50.730

Tim Trabon: Your neck might be on the line.

208

00:20:51.570 –> 00:20:52.290

Yeah yeah

209

00:20:53.460 –> 00:20:54.690

Montalvo Machado: Your million dollars.

210

00:20:55.260 –> 00:20:58.920

Montalvo Machado: Yeah, your negative account wouldn’t be a nice thing to have.

211

00:20:59.730 –> 00:21:00.090

Yeah.

212

00:21:01.980 –> 00:21:03.090

Montalvo Machado: I wouldn’t like to be there.

213

00:21:05.610 –> 00:21:15.870

Montalvo Machado: Just like the guy that hit, you know, I think it was a an auction or something like this. And there were two guys presenting a vase big face. It’s like

214

00:21:17.190 –> 00:21:33.150

Montalvo Machado: Hundreds of years old saying that this will will be sold to that man for one and a half million dollars. And then the guy goes with with a hammer and say, well, now any breaks the thing in front of everyone.

215

00:21:33.510 –> 00:21:33.870

Model.

216

00:21:35.400 –> 00:21:41.400

Montalvo Machado: Horrible. It’s just like the face of that he does just like looking at what have I done

217

00:21:43.260 –> 00:21:44.070

Montalvo Machado: So amazing

218

00:21:45.090 –> 00:21:46.830

Montalvo Machado: I don’t know. Why am I laughing about that.

219

00:21:46.920 –> 00:21:47.880

Montalvo Machado: Because that’s tragic

220

00:21:48.420 –> 00:21:50.040

Tim Trabon: No, it really is. But it’s like

221

00:21:51.480 –> 00:21:54.510

Tim Trabon: Everything breaks at some point, eventually

222

00:21:54.570 –> 00:21:59.550

Montalvo Machado: It was so valuable. It’s just been to a man, it’s just one and a half.

223

00:21:59.820 –> 00:22:00.990

Montalvo Machado: Dollars phase.

224

00:22:01.410 –> 00:22:12.060

Tim Trabon: There’s a really, really good episode of this podcast called radio lab and it’s called the quickest way to make a million dollars and basically

225

00:22:13.830 –> 00:22:15.120

Tim Trabon: They talk about the

226

00:22:16.320 –> 00:22:33.660

Tim Trabon: museums. Museums in America at least a great deal of their budget is allocated, not towards like like popular film will lead you to believe that it’s all these like anti theft protocols and security systems, but it’s really, it’s really just like

227

00:22:35.070 –> 00:22:39.720

Tim Trabon: Like hourly employees to make sure people don’t trip and fall into a painting.

228

00:22:41.700 –> 00:22:44.700

Tim Trabon: And a big part of it is actually how

229

00:22:45.960 –> 00:22:48.210

Tim Trabon: Museums supposedly

230

00:22:49.590 –> 00:22:49.860

Tim Trabon: Like

231

00:22:50.880 –> 00:22:58.410

Tim Trabon: Very, very easy to rob apparently. And I guess like most most deaths that museums are just because employees forget to lock the door.

232

00:22:59.550 –> 00:23:00.180

George Pratt: Wow.

233

00:23:00.480 –> 00:23:01.020

Yeah.

234

00:23:02.640 –> 00:23:06.330

Tim Trabon: Yeah, it was really, it’s a really entertaining episode, I don’t know.

235

00:23:08.310 –> 00:23:11.460

Tim Trabon: The real as a pretty like they’re pretty legit with their information so

236

00:23:15.090 –> 00:23:15.450

George Pratt: Oh,

237

00:23:26.760 –> 00:23:27.990

Tim Trabon: What’s next, guys.

238

00:23:29.580 –> 00:23:32.580

Tim Trabon: Is it now it’s pick of the litter, you’ve got all the photos out

239

00:23:33.990 –> 00:23:34.650

Tim Trabon: Whatever you want.

240

00:23:37.410 –> 00:23:38.430

Montalvo Machado: Now, you say that

241

00:23:42.450 –> 00:23:42.900

I’m kidding.

242

00:24:21.300 –> 00:24:23.400

Tim Trabon: Okay. All I needed some direction.

243

00:24:25.110 –> 00:24:26.280

John English: Orange, what do you want to draw

244

00:24:33.660 –> 00:24:38.130

George Pratt: Then when you were talking about the other person’s or whatever.

245

00:24:38.700 –> 00:24:40.170

Tim Trabon: Okay, okay.

246

00:24:41.910 –> 00:24:44.430

George Pratt: Do you need me to share this screen.

247

00:24:46.650 –> 00:24:48.090

Tim Trabon: Yes, now

248

00:24:51.030 –> 00:24:55.260

Tim Trabon: Let’s do it. I’m going to stop by Montalvo page that for you that

249

00:24:56.850 –> 00:24:59.280

Montalvo Machado: I’m finishing this one here, just like

250

00:24:59.370 –> 00:25:00.180

Montalvo Machado: 20 minutes later.

251

00:25:02.610 –> 00:25:03.060

Tim Trabon: Nice.

252

00:25:04.230 –> 00:25:04.650

Montalvo Machado: That this

253

00:25:05.370 –> 00:25:06.120

Tim Trabon: looks great though.

254

00:25:07.380 –> 00:25:07.830

John English: Thanks, man.

255

00:25:08.670 –> 00:25:09.150

Thanks.

256

00:25:13.650 –> 00:25:16.050

George Pratt: So my lead is not showing up, or how does that work.

257

00:25:18.000 –> 00:25:18.900

Tim Trabon: George, I don’t know.

258

00:25:21.150 –> 00:25:22.350

Tim Trabon: You should just share your screen.

259

00:25:24.600 –> 00:25:27.660

George Pratt: Thing is, I signed in twice, but I’m only seeing one

260

00:25:29.340 –> 00:25:30.630

Tim Trabon: John. Are you ready to draw

261

00:25:34.530 –> 00:25:35.850

Tim Trabon: Well, George.

262

00:25:37.650 –> 00:25:38.070

Tim Trabon: Yeah.

263

00:25:40.050 –> 00:25:44.190

Tim Trabon: Yeah port or we can have, you know, Montalvo could draw again.

264

00:25:44.790 –> 00:25:45.060

Yeah, I

265

00:25:47.160 –> 00:25:49.710

Tim Trabon: Mean, George. Maybe I can give you a call.

266

00:25:51.750 –> 00:25:52.650

George Pratt: Not Sorry.

267

00:25:53.040 –> 00:25:54.180

George Pratt: Do you hear my voice.

268

00:25:55.110 –> 00:25:55.920

Bill Koeb: Yeah, I can hear you.

269

00:25:57.120 –> 00:25:57.570

George Pratt: Okay.

270

00:25:57.990 –> 00:26:00.630

George Pratt: Yeah, I’m I know what it is. Hang

271

00:26:00.630 –> 00:26:00.870

272

00:26:02.370 –> 00:26:02.760

George Pratt: Before

273

00:26:02.820 –> 00:26:03.240

So,

274

00:26:04.770 –> 00:26:05.070

Tim Trabon: Yeah.

275

00:26:07.020 –> 00:26:07.560

George Pratt: So,

276

00:26:09.120 –> 00:26:13.740

Tim Trabon: So we’ll stop by Montalvo. We’re going to stop by your studio and then

277

00:26:13.890 –> 00:26:14.370

Right.

278

00:26:17.040 –> 00:26:18.420

Montalvo Machado: Which one do I have now.

279

00:26:20.850 –> 00:26:22.650

Montalvo Machado: Can I choose from one of those

280

00:26:23.130 –> 00:26:24.720

Montalvo Machado: Here that you sent me on email.

281

00:26:25.020 –> 00:26:26.490

Tim Trabon: Yeah, let me

282

00:26:29.910 –> 00:26:31.200

Tim Trabon: Let’s do this.

283

00:26:37.710 –> 00:26:47.010

George Pratt: So I think what it is, Timmy is you need to make me that other me in as a panelist. I think I’m in this little list of regular people

284

00:26:47.400 –> 00:26:50.370

Tim Trabon: Okay, George. Well, I’ll give you a call on a second. We’ll figure it out.

285

00:26:50.760 –> 00:26:53.670

John English: Right now, and you will draw a lot, you’ll do the last post

286

00:26:53.970 –> 00:26:54.360

Okay.

287

00:26:56.220 –> 00:26:59.640

John English: Save save that save that reference for George because you really

288

00:27:00.510 –> 00:27:03.090

Tim Trabon: Want to keep this drawing train moving so

289

00:27:03.150 –> 00:27:09.390

Tim Trabon: Yeah so Montalvo I just updated the photo. It’s a

290

00:27:11.100 –> 00:27:17.280

Tim Trabon: It’s a she’s short hair in the cameras shooting from a low angle.

291

00:27:19.050 –> 00:27:20.100

Montalvo Machado: The green background.

292

00:27:20.400 –> 00:27:21.870

Tim Trabon: In the green background. Yes.

293

00:27:22.140 –> 00:27:24.090

Montalvo Machado: Yeah, I was. I was about to choose that one.

294

00:27:24.960 –> 00:27:25.560

Tim Trabon: I knew it.

295

00:27:26.190 –> 00:27:27.000

Montalvo Machado: Yeah, yeah. Cool.

296

00:27:27.690 –> 00:27:29.520

Montalvo Machado: All right, so can I, can I go for it.

297

00:27:30.840 –> 00:27:31.170

Tim Trabon: Yeah.

298

00:27:31.470 –> 00:27:33.960

Tim Trabon: You and then George, I’ll give you a call.

299

00:27:34.530 –> 00:27:34.890

Right.

300

00:28:41.190 –> 00:28:42.840

Tim Trabon: Tech Support problem so

301

00:28:45.180 –> 00:28:48.330

Tim Trabon: just got off the phone with George. It is resolved.

302

00:29:11.400 –> 00:29:13.620

Montalvo Machado: It’s a really beautiful picture, by the way.

303

00:29:17.250 –> 00:29:19.770

Montalvo Machado: Of the colors and the attitude.

304

00:29:32.190 –> 00:29:34.470

Tim Trabon: And just reminder to the new reference is just

305

00:29:35.730 –> 00:29:43.680

Tim Trabon: Sink is where the the previous references is just updated. You might yeah you’ll want to hit refresh.

306

00:29:46.440 –> 00:29:50.250

Tim Trabon: But it will be there and I’ll send you the link right now just to

307

00:29:51.720 –> 00:29:52.380

Tim Trabon: Make it easy.

308

00:30:06.180 –> 00:30:09.840

Tim Trabon: Sometimes it takes a minute for it to show up if you’re

309

00:30:11.160 –> 00:30:12.300

Tim Trabon: Having issues just

310

00:30:13.860 –> 00:30:18.420

Tim Trabon: Try hit refresh and should should appear, though.

311

00:30:27.210 –> 00:30:31.980

Montalvo Machado: We can make you question about papers and stuff.

312

00:30:33.540 –> 00:30:36.810

Tim Trabon: Yeah, you might be disappointed in how little I now.

313

00:30:37.830 –> 00:30:50.160

Montalvo Machado: Know, because when I was there last time, I think it was 2016 there was a paper that you brought, I think it was to to George, maybe, and he gave me a couple of pages.

314

00:30:50.700 –> 00:31:01.230

Montalvo Machado: It was just like a white paper with a kind of sudden on this just beautiful for watercolors, because the watercolor wouldn’t, wouldn’t get wouldn’t soak in the paper.

315

00:31:02.700 –> 00:31:03.930

George Pratt: That’s the utopia.

316

00:31:04.080 –> 00:31:05.970

Montalvo Machado: Paper. Oh, good.

317

00:31:06.330 –> 00:31:10.140

Montalvo Machado: Yeah. Is it, is it easy to find that kind of paper anywhere.

318

00:31:10.590 –> 00:31:13.620

Montalvo Machado: No, no. Oh, that’s

319

00:31:13.920 –> 00:31:15.030

Montalvo Machado: What it’s called utopia.

320

00:31:15.810 –> 00:31:19.140

George Pratt: Yeah. When you find that it’s like you’re in heaven.

321

00:31:21.000 –> 00:31:27.780

Montalvo Machado: I think I still have a little piece of paper that you gave me George that those days and I never, never had the courage to use it.

322

00:31:29.580 –> 00:31:30.180

Montalvo Machado: So good.

323

00:31:34.230 –> 00:31:34.500

George Pratt: You

324

00:31:34.710 –> 00:31:35.850

Montalvo Machado: Know that that

325

00:31:36.090 –> 00:31:36.690

George Pratt: Working

326

00:31:37.140 –> 00:31:44.640

George Pratt: I was working with Timmy his dad to try and, you know, figure it all out, because we we were even talking about trying to maybe market it you know

327

00:31:47.790 –> 00:31:48.300

George Pratt: For work.

328

00:31:50.430 –> 00:31:51.930

Tim Trabon: watercolor paper empire.

329

00:31:52.800 –> 00:31:55.020

George Pratt: Yeah, the watercolor tycoon

330

00:31:55.500 –> 00:31:58.020

Tim Trabon: Yeah, he’s a watercolor tycoon of the issue of

331

00:32:03.240 –> 00:32:03.540

Tim Trabon: Money.

332

00:32:04.890 –> 00:32:07.470

John English: Yeah, God would have figured it out.

333

00:32:12.330 –> 00:32:13.560

Tim Trabon: He would have just done it because I think

334

00:32:15.120 –> 00:32:16.170

Tim Trabon: It was kind of funny.

335

00:32:17.490 –> 00:32:18.390

Tim Trabon: Yeah yeah

336

00:32:19.350 –> 00:32:21.870

John English: You could have put that right there with the olive oil company.

337

00:32:22.230 –> 00:32:27.900

Tim Trabon: The olive oil. Yeah. If anybody is looking for a nice Sicilian, all while we still we have

338

00:32:30.210 –> 00:32:31.560

Tim Trabon: Bottles, we need to flip

339

00:32:34.380 –> 00:32:34.650

Tim Trabon: Yeah.

340

00:32:34.680 –> 00:32:35.970

Montalvo Machado: Are you shooting them to Brazil.

341

00:32:38.040 –> 00:32:38.760

Tim Trabon: Find a way

342

00:32:41.550 –> 00:32:42.480

Tim Trabon: I’ll find a way

343

00:32:43.680 –> 00:32:44.700

Montalvo Machado: For the paper first

344

00:32:45.990 –> 00:32:47.370

John English: It will be wrapped in in

345

00:32:48.060 –> 00:32:48.900

Bill Koeb: In the paper.

346

00:32:52.680 –> 00:32:55.320

Tim Trabon: That’s a joint venture

347

00:32:56.610 –> 00:32:57.000

Montalvo Machado: Yeah.

348

00:32:58.560 –> 00:33:03.960

Montalvo Machado: Who could ever guess is just crazy utopia paper and olive oil.

349

00:33:05.760 –> 00:33:08.310

Montalvo Machado: Do you have a name for the olive oil is just utopia to

350

00:33:08.520 –> 00:33:09.900

Tim Trabon: Ethiopia know

351

00:33:11.310 –> 00:33:13.200

Tim Trabon: Why that the auto is called

352

00:33:15.240 –> 00:33:25.770

Tim Trabon: It is called Barone Emilio and it is a it is distributed by bone of your imports which is a company. My dad started

353

00:33:27.390 –> 00:33:28.500

Tim Trabon: So, uh, yeah.

354

00:33:30.090 –> 00:33:33.960

Tim Trabon: And now I have an unending supply of Sicilian olive oil.

355

00:33:34.530 –> 00:33:35.130

Nice.

356

00:33:36.420 –> 00:33:40.380

Tim Trabon: Me and my brothers and my mom. Yeah, it’s amazing. Although

357

00:33:42.240 –> 00:33:47.460

Tim Trabon: In fact, it might become like a panelist and illustration isolation panelists gift.

358

00:33:48.570 –> 00:33:49.230

Montalvo Machado: Whoa.

359

00:33:50.010 –> 00:33:53.100

John English: Yeah, so not internationally.

360

00:33:56.700 –> 00:33:59.130

Tim Trabon: Yeah, I’ll figure it out, we’ll get

361

00:34:00.900 –> 00:34:03.450

Tim Trabon: We’ll get Bruno to come to the Academy and we’ll send it back with him.

362

00:34:04.020 –> 00:34:04.380

Right.

363

00:34:05.460 –> 00:34:07.110

John English: You got to come pick it up on top. Oh.

364

00:34:07.500 –> 00:34:08.610

Bill Koeb: Yeah yeah

365

00:34:09.270 –> 00:34:09.780

Montalvo Machado: Don’t to

366

00:34:13.050 –> 00:34:18.030

Tim Trabon: JOHN THE HALL might be the best weekly prize. We can give out because it’s something we have

367

00:34:19.260 –> 00:34:19.620

We have

368

00:34:22.320 –> 00:34:23.580

John English: substantial amount

369

00:34:26.520 –> 00:34:32.520

Tim Trabon: Yeah, well everybody that we have the the the vintage the 20

370

00:34:33.540 –> 00:34:43.380

Tim Trabon: The 2018 which we were we were all little distracted and I tied up with, I think, so as long as you’re okay with the expiration date.

371

00:34:46.020 –> 00:34:46.380

Tim Trabon: You’re going to

372

00:34:46.980 –> 00:34:47.430

Montalvo Machado: Think, well, you

373

00:34:48.150 –> 00:34:49.470

Tim Trabon: Know dollars.

374

00:34:50.280 –> 00:34:51.630

Montalvo Machado: would degrade so fast.

375

00:34:56.250 –> 00:34:57.330

John English: Fibers free

376

00:34:58.050 –> 00:34:58.680

Virus.

377

00:34:59.940 –> 00:35:02.910

Montalvo Machado: Virus free. Yeah, that counts.

378

00:35:29.070 –> 00:35:41.130

Tim Trabon: Just shared online. I, I just shared a link to my half finished website for the company. So I don’t think you can even check out on it so

379

00:35:42.240 –> 00:35:43.470

Tim Trabon: But you can also check it out.

380

00:35:45.510 –> 00:35:47.040

George Pratt: Yeah I would mind ordering son.

381

00:35:49.740 –> 00:35:51.600

Tim Trabon: Your daughter George Allah

382

00:35:52.710 –> 00:35:55.470

Tim Trabon: Whoa. Whoa. What’s this start paying you with all

383

00:35:59.640 –> 00:36:02.550

George Pratt: You find me on the black market selling it at triple value.

384

00:36:02.640 –> 00:36:03.840

Tim Trabon: Yeah, you’re gonna be flipping it.

385

00:36:07.800 –> 00:36:08.190

Tim Trabon: Yeah.

386

00:36:10.260 –> 00:36:13.650

John English: I think he would be okay with that because you would establish the price.

387

00:36:13.980 –> 00:36:15.210

Tim Trabon: Yeah yeah

388

00:36:16.560 –> 00:36:18.030

Tim Trabon: Yeah, that might help us out, actually.

389

00:36:23.730 –> 00:36:25.230

George Pratt: You know it’d be cool to is if

390

00:36:27.420 –> 00:36:32.340

George Pratt: Maybe at the end of the session I Metallica showed some of his sketchbooks just

391

00:36:32.760 –> 00:36:33.540

Montalvo Machado: Got some here.

392

00:36:33.900 –> 00:36:34.560

Tim Trabon: I would be cool.

393

00:36:35.100 –> 00:36:35.760

George Pratt: They’re awesome.

394

00:36:36.570 –> 00:36:38.130

George Pratt: Well, thank you for Montel

395

00:36:38.820 –> 00:36:39.660

Montalvo Machado: Me is just

396

00:36:41.250 –> 00:36:43.500

Montalvo Machado: It’s just to hear that from you.

397

00:36:46.140 –> 00:36:53.220

John English: George, we were we were commenting about like funny somebody was talking about the worst crit they ever got before

398

00:36:55.980 –> 00:37:04.410

John English: Study all last night. So there was a bunch of funny lines, back and forth. And I kind of use the one that you use all the time, which you just use was

399

00:37:04.470 –> 00:37:07.140

John English: Hey, that looks really great for you.

400

00:37:10.380 –> 00:37:19.500

George Pratt: I’ve been like slamming my students were up there, you know, painting from life. And I’m like, I’ll go look at somebody in like, you know, we’re all painting. What’s on the stand.

401

00:37:25.380 –> 00:37:28.860

John English: It got the biggest laugh last night, that’s really good for you.

402

00:37:31.980 –> 00:37:36.060

John English: Brett. Brett and john are joined us last night for that was a fun night.

403

00:37:37.380 –> 00:37:41.160

Tim Trabon: I’m assuming that that was at the expense of somebody who could handle

404

00:37:41.910 –> 00:37:46.260

John English: Oh, I know it was at the expense of nobody we was hypothetical

405

00:37:46.740 –> 00:37:48.660

John English: George Pratt doing it to somebody else.

406

00:37:49.650 –> 00:37:52.500

Tim Trabon: It’s really, really only ever done to people who

407

00:37:54.240 –> 00:37:55.620

Tim Trabon: Who don’t deserve it.

408

00:37:58.680 –> 00:37:59.100

Tim Trabon: Yeah.

409

00:38:01.110 –> 00:38:01.800

George Pratt: That’s up there with

410

00:38:02.760 –> 00:38:03.480

George Pratt: My favorite

411

00:38:04.440 –> 00:38:04.950

Yeah.

412

00:38:09.000 –> 00:38:21.480

Montalvo Machado: You know john just before I got in, I think, was half an hour before I got in. I was remembering that day that we got Marcello prank Chris Payne, remember

413

00:38:22.530 –> 00:38:23.490

That was awesome. It

414

00:38:24.510 –> 00:38:25.650

Montalvo Machado: was so funny.

415

00:38:25.950 –> 00:38:28.110

John English: Marcella could barely speak English.

416

00:38:28.650 –> 00:38:29.040

Montalvo Machado: Yeah.

417

00:38:29.580 –> 00:38:30.270

Montalvo Machado: And Chris

418

00:38:30.420 –> 00:38:35.100

John English: Is the first time that Chris, will the first time he showed up that year and he was demoing

419

00:38:36.330 –> 00:38:52.290

John English: And so my dad thought it’d be really funny to have to get Marcello to walk up and stand in front of the table, wherever. Everybody else is standing behind the table and he’s looked kind of looking over Chris Payne at his work upside down.

420

00:38:53.310 –> 00:39:10.440

John English: He came in, he came in late, and Chris. It started his demo and Marcello is broken English asked, So Mr. Payne, what are you doing for your technique and he explained the whole thing. And he said, Oh, you’re just doing that Mark English technique and then turned and walked out

421

00:39:13.830 –> 00:39:16.500

John English: And Chris, I mean, Chris just took it. I mean,

422

00:39:19.620 –> 00:39:22.290

John English: You just couldn’t believe the guy said it was awesome.

423

00:39:22.590 –> 00:39:22.890

That

424

00:39:25.890 –> 00:39:27.480

Montalvo Machado: He was so comfortable

425

00:39:28.770 –> 00:39:29.220

Montalvo Machado: He does.

426

00:39:29.250 –> 00:39:30.900

Montalvo Machado: Know, I can do this.

427

00:39:31.320 –> 00:39:34.500

Montalvo Machado: I just can’t do this and we we forced them to

428

00:39:36.300 –> 00:39:37.620

John English: It was, it was pretty good.

429

00:39:37.680 –> 00:39:42.660

Montalvo Machado: He loved his work so much. And it’s a no, I can’t do that with Chris He’s a hero for me.

430

00:39:44.310 –> 00:39:44.760

John English: I did a

431

00:39:45.960 –> 00:39:50.490

George Pratt: Year we the windmills was first there we gave you, Bill had to be to create

432

00:39:51.750 –> 00:39:53.430

George Pratt: And again,

433

00:39:54.150 –> 00:39:54.900

Any come on my

434

00:39:56.010 –> 00:40:10.200

George Pratt: He comes in late and we’re doing to create and he is. Oh my god, he just like tore into that guy. That guy was so uncomfortable with a whole on funny to you. You think I’m funny, you know, the hell it was great.

435

00:40:11.340 –> 00:40:12.510

George Pratt: Like I was freaking

436

00:40:15.390 –> 00:40:15.750

John English: Out when

437

00:40:17.550 –> 00:40:19.710

Tim Trabon: We’re walking in and being like, this is gone too far.

438

00:40:22.290 –> 00:40:24.540

Tim Trabon: Everybody. This is a practical joke goodness

439

00:40:26.670 –> 00:40:32.220

George Pratt: To Gary that year. And he did it. He went up to the crit and he’s like really like this, it

440

00:40:32.460 –> 00:40:41.910

George Pratt: And he’s a five more. And he turned around and we were like everybody was freaking out. We were in john you had private and white saying that you know if Gary has mustache.

441

00:40:43.920 –> 00:40:48.450

George Pratt: Yet, don’t say anything because that’s, that’s like the queue that he’s like really like

442

00:40:48.840 –> 00:40:50.190

Tim Trabon: The Rainbow Dash.

443

00:40:50.580 –> 00:40:53.370

George Pratt: Yeah, that’s like he’s not in a good place. And

444

00:40:54.870 –> 00:41:04.650

George Pratt: He like did that with like making people put find more and then and then he couldn’t. He’s like, I can’t do this. And he he finally greater know that you become the

445

00:41:05.580 –> 00:41:09.300

Tim Trabon: PUNCH LINE OF A joke is the both of them are like the nicest people

446

00:41:09.690 –> 00:41:10.710

Tim Trabon: Yeah yeah

447

00:41:11.310 –> 00:41:11.730

Yeah.

448

00:41:13.260 –> 00:41:14.400

John English: Well Gary is

449

00:41:19.320 –> 00:41:20.490

John English: Bills phenomenal.

450

00:41:20.730 –> 00:41:23.010

John English: Yeah, incredibly sweet guy.

451

00:41:24.090 –> 00:41:37.500

Tim Trabon: I when he was in town for Comic Con. He was with us, that whole weekend and it was every 10 minutes. Somebody would walk up and you you knew that he he was aware that he meant something to them.

452

00:41:38.280 –> 00:41:55.350

Tim Trabon: Because they would, they would be like oh my god you know i i love your name right and he gave every single one of them the same like in depth attention and care because you kind of knew they were going to remember that, you know,

453

00:41:56.550 –> 00:41:57.840

Tim Trabon: There’s some weight to it.

454

00:41:59.250 –> 00:42:00.540

Montalvo Machado: memorable moment right

455

00:42:00.570 –> 00:42:14.310

Tim Trabon: Yeah, you know, and you know what I think is easy would be easy for me to forget or I think somebody in his position to forget is like yeah if you act if you act even slightly know it’s like that person is going to remember that for

456

00:42:15.090 –> 00:42:27.030

Tim Trabon: Oh yeah, it’d be a, you know, be a wrecking ball. So yeah, I couldn’t, I couldn’t believe it. He was so every single person that came up to him, he, he gave them this little special moment they got her number.

457

00:42:29.760 –> 00:42:32.940

Tim Trabon: Bill’s gonna be thanks a lot to me now everybody runs up to me.

458

00:42:37.470 –> 00:42:42.990

Tim Trabon: No, no, I heard, I heard it on this, uh, this drawing thing he apparently he just talks to everybody.

459

00:42:45.180 –> 00:42:47.190

Bill Koeb: Now, Bill has like one bad day.

460

00:42:48.180 –> 00:42:52.260

Tim Trabon: Yeah, you know, never, I’ve never seen it. He’s always

461

00:42:54.060 –> 00:42:54.960

Tim Trabon: always so nice.

462

00:42:57.420 –> 00:42:57.840

George Pratt: Yeah.

463

00:42:59.070 –> 00:42:59.100

George Pratt: I

464

00:43:03.150 –> 00:43:13.320

Montalvo Machado: Just wanted to say it feels good to be with you guys again just hearing your voices in my, you know, in my place in here is just like I’m back to the Academy

465

00:43:13.980 –> 00:43:15.090

Bill Koeb: Mass. Nice to see you.

466

00:43:15.480 –> 00:43:16.110

Montalvo Machado: Yeah, it’s

467

00:43:16.170 –> 00:43:17.250

Montalvo Machado: Nice to hear voices.

468

00:43:18.810 –> 00:43:21.240

George Pratt: Mantello when are you gonna start drawing

469

00:43:23.610 –> 00:43:24.600

Montalvo Machado: I’ve been trying

470

00:43:25.140 –> 00:43:25.980

Montalvo Machado: I’ve been trying

471

00:43:31.980 –> 00:43:35.790

Montalvo Machado: You know with this little thing of just stayed at home and you know

472

00:43:36.300 –> 00:43:36.960

Montalvo Machado: Yeah, I just

473

00:43:37.350 –> 00:43:43.830

Montalvo Machado: Got really back into painting and doing what I, what I really wanted to, because I’ve been digital for so long.

474

00:43:45.120 –> 00:43:45.480

Montalvo Machado: And

475

00:43:46.620 –> 00:43:49.770

Montalvo Machado: Sometimes it just you lose your hand right just

476

00:43:49.800 –> 00:43:51.240

Montalvo Machado: Stay away from

477

00:43:52.110 –> 00:43:53.580

George Pratt: Your digital traditional

478

00:43:55.380 –> 00:43:55.770

Montalvo Machado: Sorry.

479

00:43:56.100 –> 00:43:58.230

George Pratt: Your digital looks traditional, you know,

480

00:43:58.830 –> 00:44:10.770

Montalvo Machado: Yeah, yeah, this is something that I try to, you know, carry on with just doing Photoshop, as I was doing drawing using brush works and all this kind of stuff.

481

00:44:13.860 –> 00:44:29.790

Montalvo Machado: When I when I’m doing what I do professionally just met painting it just really got very little to do with what we do here. Yeah, so I miss paper I miss you know being with dirty hands.

482

00:44:29.970 –> 00:44:32.310

Montalvo Machado: It was just so funny. Just the other day.

483

00:44:32.430 –> 00:44:43.230

Montalvo Machado: I was working there and it was kind of easy week that we didn’t have much to do and I took my sketchbooks and started drawing some things

484

00:44:43.710 –> 00:44:53.940

Montalvo Machado: And, you know, got my fingers dirty with paint and stuff. And there’s this guy that comes along with me. I think he was like 2526 years old.

485

00:44:54.630 –> 00:45:11.040

Montalvo Machado: And he comes to me and say, what you do is just sketching and look, I got, I got some pain in my, in my hands is just like happy artist. He said, Oh, you got dirt in your hands. This is, this is not there. This is paint, let’s say, Well, I’m digital

486

00:45:12.480 –> 00:45:17.640

Montalvo Machado: And then it hit me. It was just this guy’s they were just born with a screen in front of them.

487

00:45:18.000 –> 00:45:18.360

And

488

00:45:19.560 –> 00:45:19.800

George Pratt: You know,

489

00:45:19.980 –> 00:45:20.220

Faint

490

00:45:22.380 –> 00:45:23.370

George Pratt: Square eyes.

491

00:45:24.570 –> 00:45:25.410

Montalvo Machado: Yes.

492

00:45:26.040 –> 00:45:27.030

George Pratt: And it’s just like

493

00:45:27.150 –> 00:45:27.570

Bill Koeb: I make

494

00:45:28.230 –> 00:45:29.250

Montalvo Machado: Magic in front of them.

495

00:45:30.690 –> 00:45:42.210

Montalvo Machado: When I’m starting drawing you know and paper and said, Whoa, you use paper you use, what can I see that and they go, flipping through the sketchbook and they go, just crazy.

496

00:45:42.720 –> 00:45:51.840

George Pratt: Because they’re open to take your seat today because a lot of the digital, you know, you can tell if they if they’re if they’ve done traditional because it’s reflected in their digital work, you know,

497

00:45:52.530 –> 00:45:53.370

Montalvo Machado: Oh yeah, does

498

00:45:57.240 –> 00:46:07.020

Tim Trabon: George just on the topic of Academy pranks. Do you remember when I was interviewing john foster down at the down we’re down in the last bottoms and

499

00:46:08.400 –> 00:46:22.680

Tim Trabon: Mark. Mark John’s dad Mark was in the background. And he kept he kept the wandering into the background. Looking at student work and he would talk to them during John’s interview and he was getting you could just hear Mark talking in the background of this interview.

500

00:46:23.550 –> 00:46:37.320

Tim Trabon: You remember i think i because I said I found the video. Just recently, I’m gonna I’ll see if I can send it to you. It was your meat. We were telling john were like you should you should spin around and

501

00:46:37.410 –> 00:46:40.860

Tim Trabon: And, you know, like, Hey, I’m trying to do an interview, he

502

00:46:43.050 –> 00:46:51.390

Tim Trabon: Really like you’re really upset right like you’re a diva. And I think I’m kind of like now I don’t know. And we were like, yeah, I know you should do it will be really funny.

503

00:46:53.610 –> 00:47:00.720

Tim Trabon: In the video he does it, and john really sold it. He spins around, he’s like, Hey, I’m trying to do an interview here and

504

00:47:00.780 –> 00:47:06.180

Tim Trabon: Mark and I zoom the Cameron on Marks face his expression.

505

00:47:07.380 –> 00:47:08.940

Tim Trabon: completely shocked.

506

00:47:10.380 –> 00:47:18.240

Tim Trabon: You know, and, and I swear it wasn’t even like a beat doesn’t even pass and john foster goes, I’m just joking. I’m just

507

00:47:22.410 –> 00:47:23.640

Tim Trabon: Scared and like

508

00:47:24.000 –> 00:47:25.980

Tim Trabon: Oh no, I crossed the line.

509

00:47:31.650 –> 00:47:34.710

George Pratt: Remember that john remember the time like I had that, uh,

510

00:47:35.790 –> 00:47:45.840

George Pratt: That palette with acrylics on it dried acrylics, but they look wet and Mark always wore those white coats and white shirts and stuff.

511

00:47:46.650 –> 00:47:59.100

George Pratt: And I remember going over to market tripping you know with that palette and then I never saw anybody dad so fast, and he was dancing, trying to get away from that palette. It was great.

512

00:48:02.340 –> 00:48:03.660

George Pratt: He’s gonna get paid all over

513

00:48:06.720 –> 00:48:07.440

It’s pretty good.

514

00:48:12.360 –> 00:48:17.730

John English: I, I do. I remember very funny time that Sterling was doing this was actually

515

00:48:18.840 –> 00:48:25.470

John English: The first time we did that in the building in the YMCA building in Kansas City, Kansas, Timmy.

516

00:48:26.040 –> 00:48:27.180

John English: Yeah, and

517

00:48:28.320 –> 00:48:37.860

John English: Sterling was doing his demo presentation and demo to the students. And he was in the midst of doing his demo and Gary just showed up for the week.

518

00:48:38.310 –> 00:48:50.640

John English: And so he was on MTV, he was bringing all the artwork. He brought he brought a whole bunch of originals out of his car, he was carrying them in and step two is too low and he’s he’s hanging them up behind Sterling on the wall.

519

00:48:54.660 –> 00:48:59.010

John English: Nobody starts everybody stops watching the demo, just looking at Gary’s work.

520

00:48:59.400 –> 00:49:03.210

John English: Yeah Carolyn’s reaction was beautiful. He was so

521

00:49:03.900 –> 00:49:05.640

John English: Taken back and he’s like really

522

00:49:06.180 –> 00:49:07.920

John English: Do you have to do that right now.

523

00:49:12.660 –> 00:49:13.860

Tim Trabon: How much time do we have left.

524

00:49:14.760 –> 00:49:15.300

John English: Quite a bit.

525

00:49:18.300 –> 00:49:19.440

John English: It is

526

00:49:29.640 –> 00:49:31.230

John English: I got so much pastel on my

527

00:49:32.400 –> 00:49:32.730

Tim Trabon: Fine.

528

00:49:34.080 –> 00:49:36.300

John English: Yeah, we got lots of time 18 seconds.

529

00:49:39.570 –> 00:49:39.930

Tim Trabon: Time.

530

00:49:40.500 –> 00:49:41.250

Nice.

531

00:49:43.770 –> 00:49:44.160

Tim Trabon: She is a

532

00:49:44.610 –> 00:49:45.240

John English: Little bit off.

533

00:49:45.900 –> 00:49:52.380

Tim Trabon: Is it Taylor Stephenson question. What is your a desert island medium. If you had to be stuck with one medium for the

534

00:49:52.380 –> 00:49:52.680

John English: Rest.

535

00:49:52.800 –> 00:49:53.940

Tim Trabon: Of life, what would it be

536

00:49:56.790 –> 00:49:57.780

George Pratt: Madam live. Oh.

537

00:50:01.650 –> 00:50:02.130

George Pratt: She wasn’t me.

538

00:50:02.970 –> 00:50:04.320

George Pratt: Elaborate he was a

539

00:50:06.300 –> 00:50:07.290

George Pratt: spiritualist

540

00:50:08.610 –> 00:50:10.380

Tim Trabon: I was like, I’m not familiar with that.

541

00:50:14.430 –> 00:50:15.510

John English: That was deep George

542

00:50:15.780 –> 00:50:16.950

Bill Koeb: Yeah, good.

543

00:50:17.550 –> 00:50:19.590

Tim Trabon: You’re just throwing everything at the wall. Tonight’s

544

00:50:21.360 –> 00:50:22.560

George Pratt: Let’s see, I’m tired.

545

00:50:24.390 –> 00:50:41.520

Tim Trabon: Jesse. Jesse asks, can anyone or is it just your students. It is a visual arts passage exclusive club. So if you enroll in our, our mentorship courses really any any course with us at all. You get access to study on which is

546

00:50:42.690 –> 00:50:43.470

George Pratt: It’s very cool.

547

00:50:43.530 –> 00:50:44.250

Tim Trabon: Awesome thing.

548

00:50:49.740 –> 00:50:56.910

John English: Lat last night study hall was myself Brent later, which in john foster

549

00:50:57.930 –> 00:51:06.480

John English: And we looked at about we looked at about 10 or more more probably 15 different pieces of work critiqued

550

00:51:07.200 –> 00:51:13.380

Tim Trabon: Yeah. One of the things I should add, just as john as you’re explaining this so people can get a better picture of it is

551

00:51:14.340 –> 00:51:34.440

Tim Trabon: When you join our mentorship programs. It’s not like this is a webinar setting where you know our guests as attendees, you don’t have access to video or audio. You can’t share your screen anything in our mentorship program you get full access, just like a panelist word so

552

00:51:36.600 –> 00:51:37.530

John English: Well, said to me.

553

00:51:39.000 –> 00:51:51.060

John English: Also the differences like a three hour live class on Saturday is the is the actual three hour class you sign up. If it’s on Saturday, Sunday or Monday you sign up for that three hours.

554

00:51:51.570 –> 00:52:01.680

John English: With that you get the study hall, which is another three hours. And of course, you’re in here, drawing with us for two and a half or three hours and then we have

555

00:52:04.680 –> 00:52:09.600

John English: communication tools that we communicate with our students throughout the week on a

556

00:52:12.660 –> 00:52:16.170

John English: What would you call that platform. I know what it’s called. But what would you call

557

00:52:16.590 –> 00:52:16.740

Tim Trabon: That

558

00:52:17.520 –> 00:52:21.540

John English: We’re talking. I’m talking about slack. I didn’t know if you wanted to bring slack up or not or

559

00:52:22.170 –> 00:52:29.280

Tim Trabon: Always use Slack, it’s our. It’s kind of like our, our home base during the week so

560

00:52:31.980 –> 00:52:37.320

Tim Trabon: I call it it’s it’s the it’s our schools. Clyde kind of

561

00:52:39.120 –> 00:52:44.340

John English: Allows us to stay in contact with our students all week long. I mean, nobody’s waiting around for an answer on

562

00:52:45.390 –> 00:52:49.230

John English: You know, really, really simple things which which thumbnail to develop

563

00:52:49.560 –> 00:52:59.640

Tim Trabon: Yeah, and frankly email sex in those stupid now and this is the way to communicate so much better. You know,

564

00:53:00.090 –> 00:53:01.710

John English: Some of our instructors, I’m hoping

565

00:53:01.740 –> 00:53:02.040

John English: All

566

00:53:02.070 –> 00:53:11.010

John English: Room will take on soon as they’re actually doing video recordings for the slack response of the critiques during, during the week.

567

00:53:40.290 –> 00:53:45.570

Tim Trabon: should also add if if you really enjoyed attending this figure drawing session.

568

00:53:46.590 –> 00:53:50.670

Tim Trabon: And you still want to up your game and configure join john. I can’t believe we didn’t talk about

569

00:53:52.170 –> 00:53:54.240

Tim Trabon: Your class is now up

570

00:53:54.990 –> 00:53:55.440

John English: Oh, cool.

571

00:53:55.950 –> 00:53:59.940

Tim Trabon: So for those of you who aren’t getting enough here.

572

00:54:01.080 –> 00:54:07.350

Tim Trabon: Really wants a hands on hands on guidance. We’ve got a class that john how many students will be in it.

573

00:54:10.080 –> 00:54:10.860

John English: Max.

574

00:54:11.250 –> 00:54:11.670

Max.

575

00:54:13.050 –> 00:54:16.500

John English: Max, I think. But do we split start splitting the class at 13

576

00:54:16.920 –> 00:54:20.520

John English: So maybe 14 students, Max, but

577

00:54:22.800 –> 00:54:23.280

John English: We’ll see.

578

00:54:25.680 –> 00:54:26.490

Tim Trabon: Sundays.

579

00:54:28.530 –> 00:54:31.110

John English: Sunday, Sunday, Sunday. Yeah.

580

00:54:31.740 –> 00:54:34.350

George Pratt: You’ll pay for the whole seat, but you only use half

581

00:54:44.760 –> 00:54:57.210

John English: And when I when I teach in that classes, the way we, the way we draw at the Academy or it was my father’s technique of teaching students simplification, how to see

582

00:54:58.380 –> 00:55:03.330

John English: The silhouette. How to see the silhouette of the figure drawing the whole figure at one time.

583

00:55:04.410 –> 00:55:05.940

John English: Pretty much how I draw everything now.

584

00:55:06.630 –> 00:55:08.490

George Pratt: It’s an amazing way of working.

585

00:55:09.120 –> 00:55:18.870

Tim Trabon: AND JOHN I think that probably some people are saying like, why would I sign up for that class. If I can just come to Thursday night drawing and

586

00:55:20.490 –> 00:55:21.120

Tim Trabon: What’s that

587

00:55:21.510 –> 00:55:23.580

George Pratt: We’re not doing that here. That’s the whole point.

588

00:55:24.270 –> 00:55:32.100

Tim Trabon: Right. Also, I mean how valuable. Do you think it is to really have that like hands on conversation.

589

00:55:33.870 –> 00:55:34.770

Tim Trabon: Where it’s not just

590

00:55:35.820 –> 00:55:43.980

Tim Trabon: What while we answered questions in the chat and stuff here. It’s, it’s not a full two way street. You know, like our mentorship courses.

591

00:55:45.180 –> 00:55:48.930

John English: It’s also aside from assignment driven. Yeah.

592

00:55:49.020 –> 00:55:53.040

John English: That’s a lot of a lot of documents lot of handouts. A lot of demonstration.

593

00:55:55.530 –> 00:55:58.650

Tim Trabon: Yes, you really want to start showing off on Thursday night.

594

00:56:38.130 –> 00:56:43.440

George Pratt: Shout out to Pam Ford in the crowd pan.

595

00:56:45.450 –> 00:56:47.040

George Pratt: Your, your piece has been mailed

596

00:56:48.480 –> 00:56:50.160

George Pratt: It’s on its way. Finally,

597

00:56:52.800 –> 00:56:54.870

John English: And then Gail calm.

598

00:56:55.230 –> 00:56:57.900

George Pratt: If she’s here yeah vs on the on the way also.

599

00:56:58.530 –> 00:57:02.130

John English: Cool Sterling mailed his to Gail today.

600

00:57:03.450 –> 00:57:06.630

John English: So I actually have a review with Gail on

601

00:57:07.800 –> 00:57:09.480

George Pratt: Monday, I think. Nice.

602

00:57:09.630 –> 00:57:11.100

John English: I’m coming up soon, sometime

603

00:57:26.400 –> 00:57:28.920

Tim Trabon: Oh, should we get moving to the next image.

604

00:57:30.030 –> 00:57:30.390

John English: Yeah.

605

00:57:33.270 –> 00:57:33.810

John English: I forgot.

606

00:57:34.470 –> 00:57:35.490

George Pratt: I forgot the black one.

607

00:57:38.520 –> 00:57:38.790

George Pratt: Hey,

608

00:57:39.900 –> 00:57:42.030

Tim Trabon: George. It’s showtime man.

609

00:57:42.450 –> 00:57:44.100

George Pratt: Okay, so hit share content.

610

00:57:47.370 –> 00:57:47.970

Tim Trabon: Let’s see what

611

00:57:51.840 –> 00:57:54.450

George Pratt: didn’t share and then I might go to

612

00:57:56.940 –> 00:57:57.720

George Pratt: procreate.

613

00:57:59.400 –> 00:57:59.940

George Pratt: Okay.

614

00:58:02.400 –> 00:58:03.750

George Pratt: And also it

615

00:58:04.830 –> 00:58:06.540

Tim Trabon: Says you are sharing screen.

616

00:58:07.050 –> 00:58:08.370

George Pratt: Yeah, I do.

617

00:58:11.130 –> 00:58:14.520

George Pratt: One girl. I’m going to play with disorder, the squiggly thing.

618

00:58:20.940 –> 00:58:24.870

George Pratt: I’m gonna try and just, I’m going to distort her a little bit. Once I get into it but

619

00:58:57.240 –> 00:58:58.650

George Pratt: Turn my screen.

620

00:59:15.150 –> 00:59:15.450

George Pratt: It’s

621

00:59:16.140 –> 00:59:18.900

George Pratt: Not as dark as it is on my screen on

622

00:59:19.980 –> 00:59:20.940

George Pratt: The larger screen.

623

00:59:22.320 –> 00:59:23.730

Tim Trabon: That’s right, just display down

624

00:59:26.610 –> 00:59:27.030

Good that

625

00:59:28.140 –> 00:59:29.160

Tim Trabon: I bet you’re using a

626

00:59:30.510 –> 00:59:31.980

Tim Trabon: Really nice iPad Pro.

627

00:59:32.610 –> 00:59:33.990

Yeah yeah

628

00:59:36.090 –> 00:59:38.250

Tim Trabon: I would trust the iPad Pros display.

629

00:59:48.180 –> 00:59:50.670

Tim Trabon: just blame it on other people’s monitor storage.

630

00:59:51.090 –> 00:59:51.600

George Pratt: There you go.

631

00:59:56.220 –> 00:59:56.520

Yeah.

632

01:00:08.700 –> 01:00:11.580

Tim Trabon: Do you feel like you can work faster in a digital George

633

01:00:13.620 –> 01:00:26.490

George Pratt: I mean it’s I think it’s all part and parcel. It’s all kind of saying, you know, um, but what’s fun about the digital is being able to, you know, take this and then distort the heck out of her with

634

01:00:28.080 –> 01:00:28.560

George Pratt: You know the

635

01:00:29.790 –> 01:00:32.370

George Pratt: The store source feature in there.

636

01:00:33.780 –> 01:00:35.220

George Pratt: And play with that a little bit.

637

01:00:38.340 –> 01:00:42.420

George Pratt: But, uh, what I like about the scribble thing is that it’s not. It’s non

638

01:00:43.530 –> 01:00:45.810

George Pratt: Specific like I can just sit and just

639

01:00:47.040 –> 01:00:53.970

George Pratt: You know, just scribble and then and then it just keep building on it, you know.

640

01:00:59.490 –> 01:01:08.310

George Pratt: Just, just keep layering and it’s something that I’ve done another traditionally in my sketchbooks and then if I come in and

641

01:01:11.460 –> 01:01:24.150

George Pratt: And I’m not using line. Wait. In the same way, you know this. I’m not using a pressure sensitivity. I wanted to be like almost like a gel pen deadline thing. But then if I if I go grab

642

01:01:27.150 –> 01:01:27.840

George Pratt: Like white

643

01:01:29.130 –> 01:01:31.620

George Pratt: And start bringing that into it.

644

01:01:32.790 –> 01:01:33.600

George Pratt: And building up

645

01:01:34.740 –> 01:01:35.340

George Pratt: The lighting.

646

01:01:44.070 –> 01:01:46.110

George Pratt: And you just, just keep layering and it’s

647

01:01:47.400 –> 01:01:49.110

George Pratt: It’s kind of like washing the dishes, you know,

648

01:01:50.820 –> 01:01:51.720

George Pratt: Therapeutic

649

01:01:56.130 –> 01:01:59.370

George Pratt: I just like to see to see it sort of appear

650

01:02:41.430 –> 01:02:44.340

George Pratt: It’s almost like building a wireframe kind of weird.

651

01:04:39.450 –> 01:04:43.170

Tim Trabon: Our, our attendees are our turnout is is

652

01:04:45.120 –> 01:04:49.590

Tim Trabon: Getting a little bit larger. Now that I think that it’s getting darker earlier.

653

01:04:51.360 –> 01:04:53.820

Tim Trabon: In the realities of fall or setting in.

654

01:04:57.600 –> 01:04:59.340

Tim Trabon: La more people joining with us.

655

01:05:01.590 –> 01:05:01.890

John English: Right.

656

01:05:03.810 –> 01:05:04.170

Tim Trabon: Yeah.

657

01:05:08.310 –> 01:05:09.060

John English: Always good.

658

01:06:41.760 –> 01:06:42.600

Tim Trabon: Vs. Amazing.

659

01:06:43.860 –> 01:06:46.830

Tim Trabon: We need you to keep coming in so we can get appropriate sponsorship.

660

01:06:49.470 –> 01:06:50.070

George Pratt: Any fun

661

01:06:51.990 –> 01:06:56.970

George Pratt: You know, I’ve contacted them early on because I’ve been with them, since they like when they first hit

662

01:06:57.750 –> 01:06:58.260

And

663

01:06:59.460 –> 01:07:01.680

George Pratt: Never got any real response on those games.

664

01:07:02.190 –> 01:07:05.130

Tim Trabon: You know, I only received one response and

665

01:07:06.600 –> 01:07:09.180

Tim Trabon: They’re not so keen on process.

666

01:07:11.070 –> 01:07:17.640

Tim Trabon: They, they just were like, we don’t care about. We don’t they were on the early interested in, like, really finished work.

667

01:07:18.360 –> 01:07:18.840

Yeah.

668

01:07:22.440 –> 01:07:25.830

John English: Yeah, I think, because most people use it for process.

669

01:07:27.840 –> 01:07:31.200

John English: And they were trying to, they were trying to get the other side so they could compete.

670

01:07:32.100 –> 01:07:34.470

Tim Trabon: Was like learn to love yourself recreate

671

01:07:36.870 –> 01:07:43.380

George Pratt: It really is my it’s i love it because it just gets out of the way. You know, it just lets me draw and have fun.

672

01:07:43.890 –> 01:07:47.490

George Pratt: Yeah, and it’s so easy to build your own brushes.

673

01:07:49.830 –> 01:07:50.820

George Pratt: We’re whereas like

674

01:07:53.400 –> 01:07:59.340

George Pratt: When I get on Photoshop. I just feel like I’m bringing a neutron bomb to to a pumpkin war, you know,

675

01:08:00.120 –> 01:08:13.320

George Pratt: And it drives me nuts. It’s like digging through all this stuff just to do something simple and it just, oh my god, it’s so infuriating. To me, I just want to have fun drawing you know in this just gets out of the way.

676

01:08:26.250 –> 01:08:31.860

Montalvo Machado: Maybe the procreate guys didn’t realize yet that the process is something that sells the product.

677

01:08:33.300 –> 01:08:34.140

George Pratt: Yeah, I mean it.

678

01:08:36.210 –> 01:08:36.930

Tim Trabon: Sponsors

679

01:08:39.750 –> 01:08:41.250

Tim Trabon: Teasing, teasing.

680

01:08:42.840 –> 01:08:43.860

Tim Trabon: I was just

681

01:08:44.100 –> 01:08:45.630

Montalvo Machado: Just need a name on the number

682

01:08:45.810 –> 01:08:46.380

Montalvo Machado: I’ll call it

683

01:08:48.060 –> 01:08:49.920

Montalvo Machado: Loose, they don’t know me.

684

01:08:50.880 –> 01:08:52.290

Tim Trabon: Yeah, no, I’m teasing.

685

01:08:53.970 –> 01:08:57.390

Tim Trabon: Yeah, no, I mean, anyways, I was a little disappointed.

686

01:09:00.840 –> 01:09:06.510

George Pratt: Because I thought for some reason that y’all had actually gotten something going with them at one point.

687

01:09:08.790 –> 01:09:09.210

Tim Trabon: Um,

688

01:09:11.730 –> 01:09:12.780

Tim Trabon: It was, uh,

689

01:09:15.630 –> 01:09:19.770

Tim Trabon: Yeah, something like that. It wasn’t ever really a deep relationship, though.

690

01:09:20.220 –> 01:09:20.610

Yeah.

691

01:09:21.780 –> 01:09:24.090

Tim Trabon: Now at your. Are you familiar vecher

692

01:09:25.170 –> 01:09:30.750

George Pratt: Yeah, vaguely I’ve seen like they’re, they now they’re even selling watercolors and stuff.

693

01:09:31.380 –> 01:09:37.380

Tim Trabon: I saw that they’re really cool company, they’re out of Australia. And we’ve, we’ve done a lot of stuff with that.

694

01:09:38.790 –> 01:09:41.490

Tim Trabon: It just in terms of they’ve sent us

695

01:09:42.960 –> 01:09:49.950

Tim Trabon: Some of their cool some of their cool like like little bags and stuff. Just to give away and give to artists. We work with

696

01:09:50.460 –> 01:09:53.100

Tim Trabon: Yeah, love Azure highly recommended.

697

01:09:57.990 –> 01:10:00.720

Tim Trabon: We have like a plane air kit.

698

01:10:03.510 –> 01:10:03.930

George Pratt: Yeah.

699

01:10:42.660 –> 01:10:45.750

John English: This model has such an interesting face and just

700

01:10:47.100 –> 01:10:47.460

George Pratt: Yeah.

701

01:10:50.100 –> 01:10:58.380

John English: I’m just now getting my drawing set up enough that I can start drawing this you know and I know I’m not gonna have time to get it the way I want it, but

702

01:11:12.720 –> 01:11:13.740

John English: Oh my gosh, George, you just

703

01:11:15.510 –> 01:11:16.500

John English: Turn my camera on.

704

01:11:21.420 –> 01:11:22.260

Bill Koeb: That’s cool.

705

01:14:01.440 –> 01:14:10.440

Montalvo Machado: JOHN I was just remembering first time we met when you when you went to the airport and pick me up there was Scott Anderson there.

706

01:14:11.760 –> 01:14:12.210

John English: Oh, yeah.

707

01:14:12.780 –> 01:14:23.250

Montalvo Machado: Yeah. And on the way we were just talking about, you know, the expectations and stuff and you look at me and he said, you will be overwhelmed.

708

01:14:25.170 –> 01:14:27.600

Montalvo Machado: And never forget that is it. And I really was.

709

01:14:31.260 –> 01:14:32.700

Montalvo Machado: Much more than expected.

710

01:14:34.620 –> 01:14:36.150

John English: I was just trying to intimidate you.

711

01:14:39.060 –> 01:14:43.350

Montalvo Machado: Well, it actually didn’t do just, you know, stood me up.

712

01:16:25.920 –> 01:16:26.400

Bill Koeb: Good job.

713

01:16:31.980 –> 01:16:33.420

Bill Koeb: How much the drawing courses.

714

01:16:38.880 –> 01:16:41.760

John English: 599 i think i think it is 599

715

01:16:49.260 –> 01:16:52.170

Bill Koeb: And then Dale asked how George is sharing his iPad.

716

01:16:55.410 –> 01:17:03.900

George Pratt: I just said it to share, share the desktop of the iPad and then then switched over to

717

01:17:06.090 –> 01:17:06.810

George Pratt: procreate.

718

01:18:09.990 –> 01:18:10.320

George Pratt: Yeah.

719

01:18:10.950 –> 01:18:12.270

John English: He deserves a little tech

720

01:18:25.470 –> 01:18:29.430

Bill Koeb: Don Rogers is asking, is that the same paper using at the Academy

721

01:18:30.540 –> 01:18:31.560

John English: Yes.

722

01:18:39.150 –> 01:18:41.760

Bill Koeb: Are you using new pesto. So I answered that part for you.

723

01:18:43.980 –> 01:18:44.550

John English: Thank you know

724

01:18:47.700 –> 01:18:50.580

John English: You can make whatever you want to make up tell them, whatever you want.

725

01:18:51.210 –> 01:18:55.200

Bill Koeb: That’s what I did when I was at the Academy. When I had to keep everybody busy for

726

01:18:55.530 –> 01:18:59.460

John English: I remember that we were late getting their first. It’s actually the first day.

727

01:19:01.560 –> 01:19:07.650

John English: I was picking somebody up at the airport and I got, I was late and I came in and Bill was running the show.

728

01:19:08.730 –> 01:19:09.330

John English: Control.

729

01:19:10.650 –> 01:19:12.360

John English: I was so happy. He was

730

01:19:17.730 –> 01:19:20.640

Bill Koeb: I just felt that I figured, somebody better start this thing.

731

01:19:22.380 –> 01:19:25.590

Bill Koeb: Yeah, I was the only teacher in the room. So I think it was on me.

732

01:19:30.570 –> 01:19:31.650

John English: I remember that well.

733

01:19:35.190 –> 01:19:36.750

Bill Koeb: I just remember my son.

734

01:19:38.820 –> 01:19:44.010

Bill Koeb: Deciding after watching Wesley bird that he wanted to be a concept artist.

735

01:19:46.470 –> 01:19:49.020

Bill Koeb: And I think that lasted for a couple months.

736

01:19:49.560 –> 01:19:50.010

Yeah.

737

01:19:51.780 –> 01:19:54.390

Bill Koeb: Nothing to do with, you know, having me you’re

738

01:20:00.150 –> 01:20:02.730

Montalvo Machado: Talking about kids. It was funny because

739

01:20:04.440 –> 01:20:19.770

Montalvo Machado: My son, he just grew up watching the draw. And, you know, doing my stuff. And that was natural for him. Just like that. He draws. Right. Well, then he he grows up he’s about to turn 19 now.

740

01:20:20.790 –> 01:20:30.270

Montalvo Machado: And it was a couple of years ago that a few friends of his they were studying 3D and you know out of the FX school here in San Paulo.

741

01:20:31.320 –> 01:20:36.600

Montalvo Machado: And and then it hit him just like, hey, my father can do that.

742

01:20:37.920 –> 01:20:49.680

Montalvo Machado: And he went to a presentation that I that I gave at the school there was teaching and then was the first time that he saw me as you know as an instructor, as someone else.

743

01:20:50.340 –> 01:21:00.660

Montalvo Machado: Right, I was just talking for a half one and a half hour there and talking about color theory and stuff. And then he comes to me at the end and looks at me and he says that

744

01:21:02.100 –> 01:21:04.050

Montalvo Machado: I just didn’t know that side of you.

745

01:21:04.410 –> 01:21:04.710

That

746

01:21:05.730 –> 01:21:07.170

Montalvo Machado: I didn’t know that well.

747

01:21:08.640 –> 01:21:14.550

Montalvo Machado: And people are just gathering around and talking and it’s just like, you know, micro celebrity, they’re

748

01:21:15.630 –> 01:21:31.350

Montalvo Machado: Like 200 people in the house. And he was so impressed by that. And then he comes back to me a few months later and said, I want to, I want to get into the business and I want to learn with you.

749

01:21:32.700 –> 01:21:39.330

Montalvo Machado: And he said that at certain point, he was just talking to me and talking about Photoshop and stuff. Is it. I want to be your best students

750

01:21:40.410 –> 01:21:41.640

Montalvo Machado: That’s when it hit me.

751

01:21:41.760 –> 01:21:42.390

George Pratt: That’s cool.

752

01:21:42.810 –> 01:21:43.560

Bill Koeb: That’s very good.

753

01:21:43.800 –> 01:21:44.970

Montalvo Machado: You know, you know,

754

01:21:45.990 –> 01:21:50.700

Montalvo Machado: Having to hold the tears in the eyes just like looking at him was just

755

01:21:52.020 –> 01:21:53.640

Montalvo Machado: So you want to be my best students

756

01:21:54.480 –> 01:21:55.560

Montalvo Machado: I want to be your best teacher

757

01:21:56.910 –> 01:21:57.780

John English: My Cabo

758

01:21:59.010 –> 01:22:00.570

John English: Did you try to talk him out of it.

759

01:22:03.120 –> 01:22:17.580

Montalvo Machado: Actually, that’s, that’s something that I would never do because I wanted him to be, you know, in a field that I could just help him out because he if he would go, you know, to medicine or law school or something like that.

760

01:22:18.690 –> 01:22:21.510

Montalvo Machado: Could never given any kind of advice ever

761

01:22:22.530 –> 01:22:23.970

Montalvo Machado: Just cheer him up, but

762

01:22:25.560 –> 01:22:36.930

Montalvo Machado: But I’ll never be able to give them some advice and the that same field. I say, well, that’s so cool because there’s something that I can still teach you along the way.

763

01:22:38.130 –> 01:22:58.020

Montalvo Machado: And he’s he’s doing fine is getting into 3D and studying Maya and you know all those kind of tax rate partner programs and that’s. It’s very cool. He’s not into drawing as much as I am, but he’s getting technical and he’s got a good eye for movies and stuff.

764

01:23:00.120 –> 01:23:00.570

George Pratt: Yeah.

765

01:23:00.870 –> 01:23:05.670

John English: Good, good for you. I, I, I was kind of joking when I said that because

766

01:23:06.690 –> 01:23:10.470

John English: That was my, my dad’s biggest fear that I was going to be a really bad artist.

767

01:23:13.080 –> 01:23:15.480

John English: And I think he may have lived it for a long time.

768

01:23:22.080 –> 01:23:31.350

John English: He was real worried, and he was also really i mean he understood how the success that he had and what kind of an impact it would have on me.

769

01:23:32.670 –> 01:23:41.070

Montalvo Machado: As a child, just I can’t imagine how it was for you to grow up with us, you know, monster illustrators.

770

01:23:41.190 –> 01:23:42.000

Montalvo Machado: For your whole life.

771

01:23:42.420 –> 01:23:42.870

Yeah.

772

01:23:43.980 –> 01:23:46.020

Montalvo Machado: How. How. Wouldn’t you be enforced.

773

01:23:47.160 –> 01:24:02.190

John English: He was really good about it. I mean, he you know he told him the fun, funny thing is, when I finally convinced him. I wanted to do it and I he believed I could do it at that point he, he said, okay, quit school because now you got to start learning

774

01:24:05.670 –> 01:24:11.040

John English: Because you said you’re having way too much on at school right now you need to you need to leave.

775

01:24:12.480 –> 01:24:14.310

It there you can focus. Yeah.

776

01:24:18.120 –> 01:24:20.670

Montalvo Machado: HOW OLD WERE YOU, JOHN when when they did the

777

01:24:22.770 –> 01:24:24.570

Montalvo Machado: Status workshop for the first time.

778

01:24:26.550 –> 01:24:27.660

John English: I think I was 12

779

01:24:28.440 –> 01:24:28.890

Wow.

780

01:24:30.600 –> 01:24:45.180

John English: I went to it a couple of different times. The first time I went to. I went and I kind of visited when I was about 17 and I actually attended it when I was 19 and it was a great experience. Plus, it was in Paris. So it was really nice.

781

01:24:46.140 –> 01:24:46.170

782

01:24:47.790 –> 01:24:50.580

John English: Got to spend five weeks in Paris, so that was fun.

783

01:24:52.980 –> 01:24:53.850

Montalvo Machado: With those guys.

784

01:24:54.720 –> 01:24:55.200

Yeah.

785

01:24:58.140 –> 01:25:00.270

George Pratt: You’d be pulling pranks on each other and peers.

786

01:25:03.960 –> 01:25:09.660

John English: Necessarily remember anything about that, but they certainly did it every day of their lives. I was a big

787

01:25:11.280 –> 01:25:14.610

John English: It picked on each other all the time, had a lot of fun.

788

01:25:15.630 –> 01:25:18.720

Tim Trabon: Done. Was it. Were you telling me the story about

789

01:25:20.130 –> 01:25:22.710

Tim Trabon: It was like the tiles in someone’s backyard.

790

01:25:24.090 –> 01:25:24.930

George Pratt: By the pool.

791

01:25:25.500 –> 01:25:26.790

John English: Bernie Fuchs is pool.

792

01:25:27.990 –> 01:25:36.210

John English: Bernie of just like super possessed, he was putting this pool in his in his backyard having it installed and he had the

793

01:25:37.770 –> 01:25:46.980

John English: He was so being hired. I mean, he had a purchase all this. I mean, gorgeous tile. They’re actually bricks and

794

01:25:51.810 –> 01:25:53.580

John English: Bernie had this long time

795

01:25:54.780 –> 01:25:57.780

John English: Guy maintenance guy that helped him around his house and stuff and

796

01:25:59.820 –> 01:26:07.140

John English: He kept asking Bernie if he wanted him to help him do this project and Bernie had the, you know, professionals guys come in that we’re doing it.

797

01:26:09.510 –> 01:26:18.660

John English: But my dad and Bob by Dale gotta be real funny after they’ve been drinking half the night to go over to Bernie south in the middle of the night and lay all this brick the wrong way.

798

01:26:22.770 –> 01:26:23.040

Tim Trabon: Good.

799

01:26:25.110 –> 01:26:34.530

John English: Bernie’s reaction was to think that it was his maintenance guy that was trying to show you know that he could do it. And he got really upset with them and then you found out

800

01:26:36.360 –> 01:26:41.970

John English: Very quickly, he found out that it was idiot friends that thought it was a fun thing to do after they’ve been drinking

801

01:26:43.470 –> 01:26:46.860

George Pratt: BUT DIDN’T THEY WOULDN’T IT LIKE HE HAD A pattern and they rotated the pattern.

802

01:26:47.040 –> 01:26:48.510

John English: Yeah, very

803

01:26:49.200 –> 01:26:57.660

John English: Bad, and he was in. He was always just on top of the guys that were laying it to make sure that they did it exactly that we have photos from this

804

01:26:59.040 –> 01:27:05.460

John English: where he’d stayed in Italy, the previous summer, and he said, this is exactly how I want it done. He was constantly all over the top.

805

01:27:06.630 –> 01:27:09.720

John English: Of course they did it completely the opposite way.

806

01:27:12.720 –> 01:27:13.560

John English: Just to annoy him.

807

01:27:15.690 –> 01:27:20.040

John English: Bernie was the target of most of their jokes. Actually he was he was very gullible.

808

01:27:24.540 –> 01:27:26.070

Tim Trabon: John are we closing in on 20

809

01:27:26.550 –> 01:27:30.330

John English: Oh yeah, we’re there we just we finished about two minutes.

810

01:27:31.620 –> 01:27:32.010

Tim Trabon: Okay.

811

01:27:35.460 –> 01:27:35.880

Bill Koeb: George

812

01:27:37.050 –> 01:27:40.320

George Pratt: I’m there. I mean, I think just sit here and scribble all night. You know, I mean,

813

01:27:40.800 –> 01:27:41.160

Tim Trabon: Yeah.

814

01:27:41.250 –> 01:27:42.150

George Pratt: That’s the beauty of it.

815

01:27:43.200 –> 01:27:43.710

Tim Trabon: Well,

816

01:27:43.740 –> 01:27:44.880

Should we check out some work.

817

01:27:45.990 –> 01:27:49.740

Tim Trabon: Please, uh, if you’ve been drawing with us tonight, please post your work.

818

01:27:51.900 –> 01:27:59.040

Tim Trabon: We’d love to see it. Be sure to use the hashtags and everything go to our Facebook group illustration isolation.

819

01:28:00.120 –> 01:28:05.490

Tim Trabon: Or posted on Instagram and use hashtag hashtag illustration isolation.

820

01:28:11.190 –> 01:28:12.570

Tim Trabon: But if everyone’s ready

821

01:28:14.190 –> 01:28:15.030

Tim Trabon: No, no, I

822

01:28:15.750 –> 01:28:17.640

John English: Don’t know if I’m ready, but go ahead.

823

01:28:18.810 –> 01:28:21.240

Tim Trabon: Yeah. All right. I’m going to give everyone

824

01:28:22.140 –> 01:28:22.590

George Pratt: I need to

825

01:28:22.740 –> 01:28:25.170

Tim Trabon: give everyone a minute to share it to

826

01:28:25.170 –> 01:28:27.960

Tim Trabon: Facebook and Instagram. Whichever pick your poison.

827

01:28:28.170 –> 01:28:33.570

Tim Trabon: General platform is more your speed. I’m going to give everybody one

828

01:28:46.350 –> 01:28:50.310

Tim Trabon: If y’all didn’t notice Dale’s define us snuck in the back door.

829

01:28:51.510 –> 01:28:52.890

Dale Stephanos: Knocking knocking.

830

01:28:53.070 –> 01:28:54.030

John English: Dale style.

831

01:28:55.530 –> 01:28:59.880

Dale Stephanos: Well, I noticed that, that to me you somehow got bunks hmm

832

01:29:00.630 –> 01:29:05.190

Tim Trabon: You bounced it yeah I did if people didn’t notice from my video.

833

01:29:06.210 –> 01:29:06.570

Tim Trabon: My

834

01:29:08.220 –> 01:29:14.640

Tim Trabon: My wife. Now my girlfriend anymore. She is. She teaches second grade. And so she has taken

835

01:29:15.030 –> 01:29:23.640

Tim Trabon: My office. And now I work and spend most of my time in a camper in my backyard.

836

01:29:27.690 –> 01:29:31.830

Tim Trabon: Was not as reliable as I anticipated. So I got booted but I’m back.

837

01:29:33.480 –> 01:29:36.060

John English: So how is the marriage thing going there.

838

01:29:37.470 –> 01:29:39.600

Bill Koeb: He’s living in a camper outside of his house.

839

01:29:43.980 –> 01:29:44.940

Dale Stephanos: Think it’s going well.

840

01:29:46.530 –> 01:29:49.320

John English: That’s almost as a van down by the river. I mean, that’s

841

01:29:49.500 –> 01:29:52.320

Tim Trabon: Yeah, there’s an RV in my backyard.

842

01:29:54.060 –> 01:30:03.720

Dale Stephanos: So yeah, so if if you know when you were a teenager, somebody said to you, Hey, you know, when you grow up, you’re going to get married and within a week, you’re going to be in a trailer in the back.

843

01:30:03.720 –> 01:30:03.900

Here.

844

01:30:06.840 –> 01:30:07.500

Montalvo Machado: No way.

845

01:30:09.540 –> 01:30:10.950

John English: Me, man. Not me.

846

01:30:10.980 –> 01:30:12.030

Tim Trabon: No, no, no.

847

01:30:17.070 –> 01:30:20.490

Tim Trabon: Oh, somebody just said, Can we see the giants from the team. Absolutely.

848

01:30:22.620 –> 01:30:25.050

Tim Trabon: Absolutely. Let me, let me show you.

849

01:30:25.260 –> 01:30:28.290

Dale Stephanos: Timmy is is there. I’m working in Photoshop here.

850

01:30:28.350 –> 01:30:33.240

Tim Trabon: This is they’re able to screen steal the screen and just share your desktop.

851

01:30:33.300 –> 01:30:38.370

Dale Stephanos: Oh, I don’t want to do that. I jumped I jumped in, but I didn’t know if there was a way for you to just kind of

852

01:30:38.910 –> 01:30:45.750

Tim Trabon: Pie can’t grab it. But if you show it. I’d love to. If it’s a if it’s something you want if you want to show us what you did be great to see it.

853

01:30:47.340 –> 01:30:52.410

Dale Stephanos: So what I do is just share, I guess. Yep. Oh. Oh, that’s nice. Who was that

854

01:30:52.770 –> 01:30:54.030

Dale Stephanos: That’s my toes are you

855

01:30:54.540 –> 01:30:56.280

Dale Stephanos: At that is awesome, man.

856

01:30:56.700 –> 01:30:57.480

Montalvo Machado: Well, thank you.

857

01:30:58.230 –> 01:30:58.380

Bill Koeb: My

858

01:30:59.130 –> 01:31:00.390

Beard envy here too.

859

01:31:01.740 –> 01:31:04.500

Bill Koeb: I don’t think you have that that nice beard, last time I saw you.

860

01:31:05.520 –> 01:31:08.550

Montalvo Machado: Well, it’s just let it grow just

861

01:31:09.570 –> 01:31:11.400

Montalvo Machado: burn time things and say, well,

862

01:31:12.480 –> 01:31:15.360

Montalvo Machado: No, I don’t have anything to lose so I let my hair grow.

863

01:31:16.500 –> 01:31:17.280

Montalvo Machado: In my beard.

864

01:31:20.550 –> 01:31:22.650

George Pratt: There’s lots of coven beards going on.

865

01:31:23.460 –> 01:31:23.970

Yeah.

866

01:31:28.080 –> 01:31:28.860

Montalvo Machado: And long hair.

867

01:31:29.340 –> 01:31:29.940

Fall.

868

01:31:39.420 –> 01:31:39.930

Tim Trabon: Okay.

869

01:31:42.480 –> 01:31:44.790

Tim Trabon: Are we ready to ready to share

870

01:31:45.390 –> 01:31:46.620

Bill Koeb: Showing the studios.

871

01:31:47.850 –> 01:31:50.400

Tim Trabon: Yeah. Are you going to try and share your screen or we move in.

872

01:31:50.970 –> 01:31:52.440

Dale Stephanos: Oh no, go, go.

873

01:31:52.770 –> 01:31:54.450

Tim Trabon: Next week next week.

874

01:31:54.600 –> 01:31:57.180

Dale Stephanos: No, no, I’ll do it. I’ll do the next, is this the last around

875

01:31:57.540 –> 01:31:58.980

Dale Stephanos: Yeah yeah

876

01:31:59.730 –> 01:32:01.230

Dale Stephanos: Ah, man.

877

01:32:01.410 –> 01:32:02.700

Tim Trabon: Yeah, sorry.

878

01:32:02.940 –> 01:32:06.540

Montalvo Machado: You guys, you guys want to see those sketchbooks and or maybe

879

01:32:06.570 –> 01:32:09.810

Tim Trabon: Oh yeah, I forgot that we promised that yeah

880

01:32:10.200 –> 01:32:11.130

Tim Trabon: Check that out.

881

01:32:11.430 –> 01:32:12.810

Montalvo Machado: Right, I’ll pick it up.

882

01:32:14.730 –> 01:32:19.140

Tim Trabon: In meantime everyone please post your work. Share your work on Facebook and Instagram.

883

01:32:21.600 –> 01:32:22.020

Montalvo Machado: Will

884

01:32:24.480 –> 01:32:32.880

Tim Trabon: Resume Montalvo tell us where you’re tuning in from in Brazil, so everybody knows we didn’t really give you a proper introduction. I know we got a lot of new people here.

885

01:32:35.880 –> 01:32:36.810

Montalvo Machado: I mean some follow

886

01:32:39.000 –> 01:32:43.680

Montalvo Machado: What kind of thing that I could say is just we’re doing

887

01:32:44.790 –> 01:32:48.150

Tim Trabon: Is you can inform your studio from home, or both.

888

01:32:48.840 –> 01:32:56.400

Montalvo Machado: Well, this, this is both. This is actually my living room. I’m talking about marriage and stuff.

889

01:32:57.660 –> 01:33:10.530

Montalvo Machado: I just got, you know, separated from my wife about a year ago and living on on an apartment. So it was struggling best moves that I’m making my life has just never felt happier before

890

01:33:11.100 –> 01:33:11.520

Yeah.

891

01:33:12.840 –> 01:33:13.560

Montalvo Machado: Yeah, don’t

892

01:33:13.620 –> 01:33:15.270

Montalvo Machado: Don’t take it as an advice, please.

893

01:33:16.920 –> 01:33:18.480

Tim Trabon: Oh, it’s

894

01:33:18.810 –> 01:33:28.230

Montalvo Machado: Been fun it’s it’s been really fun because you know I’ve been working on with a zero as digital painter there as

895

01:33:28.290 –> 01:33:29.160

Montalvo Machado: Background painter.

896

01:33:30.570 –> 01:33:38.220

Montalvo Machado: for about three years now and living in this apartment for about a year, I was used to a big studio and stuff but

897

01:33:40.260 –> 01:33:45.930

Montalvo Machado: It’s, I had to, you know, try to understand how space works.

898

01:33:47.370 –> 01:33:51.870

Montalvo Machado: And this new space. I got you know really

899

01:33:54.360 –> 01:34:16.380

Montalvo Machado: I try to get all things together in in the tiny space that I have. So I got really organized and shelves and books and things and everybody everything’s got its, its place. So whenever I finished my my drawings and stuff. I try to get back to you know things where they belong.

900

01:34:17.610 –> 01:34:20.970

Montalvo Machado: So it’s, it’s funny, it’s good.

901

01:34:24.930 –> 01:34:40.200

Montalvo Machado: Well, I’m going backwards here because there’s some new stuff that I just put an online few days ago was just some some things that I’ve been trying with with this technique that I was doing with pastels and then I go over with.

902

01:34:41.280 –> 01:34:43.650

Montalvo Machado: With the roller with

903

01:34:45.210 –> 01:34:45.990

Montalvo Machado: acrylics.

904

01:34:47.880 –> 01:34:49.320

Montalvo Machado: And and that

905

01:34:51.210 –> 01:35:02.010

Montalvo Machado: Medium. I can’t seem to find the ultimate medium here in Brazil, it’s really, really hard to get this one and expensive if I have to buy one, but I use the regular one.

906

01:35:03.300 –> 01:35:11.250

Montalvo Machado: And it gives us you know textures and, you know, small details and things that maybe just try to get

907

01:35:12.630 –> 01:35:30.270

Montalvo Machado: Here. Wow. You see, this is something that I’m really trying to get into larger paintings was been studying this for a while on on sketchbooks and collages, and things sometimes gets a little chaotic but

908

01:35:31.500 –> 01:35:43.260

Montalvo Machado: It’s such a lot of fun just to, you know, put this all together and then I get over some, some of these you know lines with

909

01:35:45.870 –> 01:35:47.700

Montalvo Machado: This wax crayons here.

910

01:35:48.930 –> 01:35:58.890

Montalvo Machado: So I’ve really never, never used it before. It’s just I have it for about 20 years now. But when I got this image finished I just

911

01:35:59.760 –> 01:36:21.750

Montalvo Machado: You know, go over it and give it some real reds and browns and highlights and blues because they just stick to the paper, they would never leave and very bright colors. So sometimes it really works. It gets gets to a nice, you know, bright colors around some muted colors.

912

01:36:23.370 –> 01:36:27.150

Montalvo Machado: So let me try to get this little bit closer, I think it would be easier.

913

01:36:28.560 –> 01:36:28.800

Yeah.

914

01:36:30.030 –> 01:36:30.780

Dale Stephanos: That’s nice.

915

01:36:31.200 –> 01:36:44.520

Montalvo Machado: Well, yeah, thank you. I was just watching The Godfather again for the fifth time just the other day is just so beautiful. And I don’t know if you’ve got has been seen the

916

01:36:45.870 –> 01:36:47.460

Montalvo Machado: Peaky Blinders series.

917

01:36:49.350 –> 01:36:53.880

Montalvo Machado: That’s so beautiful. And the story is so well told just I’m loving it.

918

01:36:55.470 –> 01:37:01.410

Montalvo Machado: And I would really compare you know Peaky Blinders at a certain level to

919

01:37:02.910 –> 01:37:04.380

Montalvo Machado: The Godfather series.

920

01:37:06.300 –> 01:37:08.910

Montalvo Machado: This is like they’re not Italian there is right.

921

01:37:11.100 –> 01:37:14.430

Montalvo Machado: But it’s it’s really really well done.

922

01:37:19.380 –> 01:37:20.400

John English: Okay, without me.

923

01:37:22.140 –> 01:37:22.590

Dale Stephanos: Wow.

924

01:37:22.890 –> 01:37:23.280

Tim Trabon: Oh,

925

01:37:23.460 –> 01:37:26.790

Tim Trabon: Don’t there. The The Godfather versus Peaky Blinders

926

01:37:26.850 –> 01:37:27.240

Yeah.

927

01:37:29.010 –> 01:37:30.900

Tim Trabon: cinematically or culturally

928

01:37:33.990 –> 01:37:34.410

Tim Trabon: Yeah.

929

01:37:35.790 –> 01:37:38.040

Tim Trabon: I’m Italian. I Sicilian

930

01:37:38.490 –> 01:37:39.570

Tim Trabon: Actually so

931

01:37:40.050 –> 01:37:42.840

Tim Trabon: And I’m fine with it, honestly.

932

01:37:45.270 –> 01:37:45.960

Montalvo Machado: I think

933

01:37:46.830 –> 01:37:48.060

Tim Trabon: Write the story here.

934

01:37:49.140 –> 01:37:51.030

Montalvo Machado: Oh, there, there goes see right on here.

935

01:37:51.870 –> 01:37:52.860

Dale Stephanos: Oh, nice. I

936

01:37:53.040 –> 01:37:55.380

Montalvo Machado: Love it, love him so much.

937

01:37:56.850 –> 01:38:08.520

Montalvo Machado: There was a time that was just writing lettering for people that are really influential to me somehow, and I should have, you know, this keep going that way.

938

01:38:10.830 –> 01:38:17.580

Dale Stephanos: Did you ever hear from Brad home. They had a great story about painting that that couldn’t stand the weather album cover.

939

01:38:19.890 –> 01:38:23.460

Dale Stephanos: He posted on his blog drug or a few years ago.

940

01:38:24.810 –> 01:38:25.380

John English: Never heard it.

941

01:38:26.040 –> 01:38:26.280

Oh,

942

01:38:27.540 –> 01:38:28.230

Dale Stephanos: Really cool.

943

01:38:31.230 –> 01:38:39.150

Tim Trabon: Talking about really good series john is scaring me way for us to watch the next episode of Fargo.

944

01:38:40.560 –> 01:38:41.970

Montalvo Machado: Fargo that’s

945

01:38:42.600 –> 01:38:44.310

Tim Trabon: Not so good. I can’t recommend

946

01:38:46.650 –> 01:38:48.960

George Pratt: Watching raised by wolves.

947

01:38:49.860 –> 01:38:51.060

Tim Trabon: So no

948

01:38:52.020 –> 01:38:52.740

George Pratt: I’m enjoying it.

949

01:38:54.300 –> 01:38:54.780

Tim Trabon: All right.

950

01:38:55.470 –> 01:39:04.200

Tim Trabon: This is, this is great. It’s all about should we um Montalvo please share photos of this to the Facebook group. I know a lot of people want to see it. Should we

951

01:39:05.610 –> 01:39:08.730

Tim Trabon: Should we check out the what everybody’s been working on tonight.

952

01:39:09.840 –> 01:39:10.200

Montalvo Machado: Oh, yeah.

953

01:39:10.350 –> 01:39:11.790

John English: Yes, bounce around the room.

954

01:39:12.180 –> 01:39:12.600

John English: Yeah.

955

01:39:12.840 –> 01:39:16.860

John English: Our last pose. And then we can look on. Look at everybody else.

956

01:39:17.460 –> 01:39:20.640

Montalvo Machado: Well, I got this one here first.

957

01:39:23.790 –> 01:39:26.790

And the second one is, wow.

958

01:39:31.560 –> 01:39:32.220

Montalvo Machado: Just

959

01:39:34.650 –> 01:39:35.220

Tim Trabon: Wow.

960

01:39:38.520 –> 01:39:39.210

Dale Stephanos: was great.

961

01:39:41.670 –> 01:39:42.180

Montalvo Machado: Thank you.

962

01:39:43.200 –> 01:39:44.310

Tim Trabon: All right, I’m gonna

963

01:39:45.810 –> 01:39:48.150

Tim Trabon: While everyone’s here and then we’ll

964

01:39:49.620 –> 01:39:50.640

Tim Trabon: Begin sharing

965

01:39:57.090 –> 01:39:58.380

Montalvo Machado: What’s on your minds me

966

01:40:04.020 –> 01:40:06.120

Bill Koeb: I can see your home setup. That’s cool, man.

967

01:40:08.010 –> 01:40:09.810

Montalvo Machado: Well, thank you. Thanks, Bill.

968

01:40:10.200 –> 01:40:12.600

Bill Koeb: I think I could do that with a desk arm land to

969

01:40:15.540 –> 01:40:27.870

Montalvo Machado: Yeah, this thing is struggling not expensive. It’s just an arm for microphone and I adapted it you know just screwing things up and just it

970

01:40:28.320 –> 01:40:28.800

Montalvo Machado: Ended up

971

01:40:28.890 –> 01:40:30.000

Montalvo Machado: Being very solid

972

01:40:31.590 –> 01:40:33.420

Tim Trabon: This works great. I love it.

973

01:40:36.420 –> 01:40:40.470

Tim Trabon: some familiar faces awesome Ilana. See ya.

974

01:40:40.890 –> 01:40:41.580

John English: Very cool.

975

01:40:42.450 –> 01:40:42.840

Yeah.

976

01:40:48.180 –> 01:40:48.630

Wow.

977

01:40:49.920 –> 01:40:51.690

Bill Koeb: Those are beautiful well

978

01:40:53.130 –> 01:40:53.460

Montalvo Machado: Well,

979

01:40:57.690 –> 01:40:58.410

Montalvo Machado: both coasts.

980

01:40:58.710 –> 01:41:01.230

Tim Trabon: First image. Awesome. Thanks for joining.

981

01:41:05.580 –> 01:41:06.030

Us.

982

01:41:15.690 –> 01:41:15.990

Bill Koeb: Cool.

983

01:41:19.470 –> 01:41:20.280

Tim Trabon: Awesome cherry.

984

01:41:32.520 –> 01:41:32.970

Tim Trabon: Awesome.

985

01:41:40.380 –> 01:41:41.130

Tim Trabon: Do you guys feel like

986

01:41:42.240 –> 01:41:47.400

Tim Trabon: The general skill is getting better. Since the beginning of quarantine,

987

01:41:49.110 –> 01:41:49.680

Dale Stephanos: That’s great.

988

01:41:50.220 –> 01:41:50.580

Yes.

989

01:41:53.070 –> 01:41:54.810

John English: Are you referring to us or the audience.

990

01:41:54.840 –> 01:41:55.710

Dale Stephanos: Yeah, I was gonna say

991

01:41:55.980 –> 01:41:58.290

Tim Trabon: I was gonna say everyone because

992

01:41:59.970 –> 01:42:00.450

Tim Trabon: I mean,

993

01:42:01.680 –> 01:42:06.630

Tim Trabon: A lot of people been religious about attending every single one.

994

01:42:09.390 –> 01:42:16.260

Montalvo Machado: I think having a lot of fun, you know, trying to find out different techniques and combining things and trying to be like

995

01:42:17.580 –> 01:42:19.650

Montalvo Machado: Doing some chemistry on on the stuff

996

01:42:21.900 –> 01:42:27.990

Montalvo Machado: I don’t know if it’s, you know, improving. Actually, it was just, I’m having some some fun and

997

01:42:28.050 –> 01:42:29.490

Montalvo Machado: And having some plans of

998

01:42:29.790 –> 01:42:31.500

Montalvo Machado: This and larger scales, maybe

999

01:42:40.080 –> 01:42:40.590

Montalvo Machado: One.

1000

01:43:09.000 –> 01:43:09.630

Tim Trabon: Senior

1001

01:43:22.890 –> 01:43:23.100

Kool

1002

01:43:28.590 –> 01:43:28.980

Tim Trabon: Kool

1003

01:43:29.820 –> 01:43:30.180

Aid.

1004

01:43:35.820 –> 01:43:38.190

Tim Trabon: Yeah, I didn’t, I didn’t get along that’s free cash.

1005

01:43:40.320 –> 01:43:42.150

Tim Trabon: Fun. Cool. Sherry.

1006

01:43:42.420 –> 01:43:43.110

This one.

1007

01:44:17.580 –> 01:44:19.650

Montalvo Machado: People’s been working on you.

1008

01:44:19.860 –> 01:44:20.430

Tim Trabon: All right.

1009

01:44:20.760 –> 01:44:22.380

Bill Koeb: Yeah, nice one.

1010

01:44:25.500 –> 01:44:26.100

Tim Trabon: Nice.

1011

01:44:30.720 –> 01:44:33.510

Montalvo Machado: How many people we have joining us tonight to me.

1012

01:44:34.470 –> 01:44:38.400

Tim Trabon: Yeah changes because a lot of people show up for a couple poses and so

1013

01:44:39.960 –> 01:44:43.710

Tim Trabon: It can, it can get in there are several hundreds

1014

01:44:45.750 –> 01:44:49.110

Tim Trabon: But, uh, yeah. You never really know until the next day.

1015

01:44:49.770 –> 01:44:50.190

Montalvo Machado: Oh, yeah.

1016

01:44:52.230 –> 01:44:53.970

Tim Trabon: Awesome felicity to have you back.

1017

01:44:56.100 –> 01:45:00.780

Tim Trabon: My mom’s here sometimes Montalvo. It’s just all of our moms attendee

1018

01:45:04.260 –> 01:45:04.770

Montalvo Machado: Anymore.

1019

01:45:05.010 –> 01:45:05.580

Montalvo Machado: Yeah, let

1020

01:45:05.850 –> 01:45:07.320

Montalvo Machado: Me have my girlfriend just

1021

01:45:07.710 –> 01:45:10.620

Tim Trabon: Zachary family, family and friends.

1022

01:45:11.220 –> 01:45:11.730

Montalvo Machado: Oh, yeah.

1023

01:45:12.480 –> 01:45:14.370

Tim Trabon: Cool procreate. That’s great.

1024

01:45:25.530 –> 01:45:26.370

John English: I can’t see.

1025

01:45:29.310 –> 01:45:30.510

My eyes have quit.

1026

01:45:33.000 –> 01:45:34.410

Tim Trabon: I’m in this same boat.

1027

01:45:35.760 –> 01:45:36.420

Tim Trabon: Is great.

1028

01:45:39.750 –> 01:45:41.910

Tim Trabon: John HOW MANY REVIEWS, did you do today.

1029

01:45:42.810 –> 01:45:43.530

Six.

1030

01:45:45.900 –> 01:45:49.290

Tim Trabon: And those are no light fee that’s there.

1031

01:45:49.320 –> 01:45:53.520

John English: And our last one I did for about an hour and 10 minutes

1032

01:45:54.690 –> 01:46:02.610

John English: Ago, for a long time. Some really incredibly good good students, good. Perfect. A couple real pros.

1033

01:46:03.000 –> 01:46:04.530

Tim Trabon: How much that cost them.

1034

01:46:06.480 –> 01:46:07.020

Tim Trabon: To meet with

1035

01:46:07.050 –> 01:46:08.400

John English: How much does it cost me

1036

01:46:11.340 –> 01:46:12.780

John English: It didn’t cost them anything.

1037

01:46:13.230 –> 01:46:15.480

Tim Trabon: Yeah, it’s free. That’s all I’m trying to highlight

1038

01:46:17.100 –> 01:46:18.060

Tim Trabon: It’s totally free.

1039

01:46:18.990 –> 01:46:23.070

Dale Stephanos: I’m drawing them on the mailing list and I was considering having a having a

1040

01:46:23.100 –> 01:46:24.360

John English: Portfolio. Wait.

1041

01:46:27.540 –> 01:46:29.730

Bill Koeb: But every time I see the email.

1042

01:46:31.110 –> 01:46:34.140

John English: I can’t wait. If any of you Joker sign up for it.

1043

01:46:36.000 –> 01:46:37.110

John English: Everything I say

1044

01:46:39.360 –> 01:46:39.720

Tim Trabon: Yeah.

1045

01:46:40.620 –> 01:46:41.610

Dale Stephanos: Nothing else.

1046

01:46:42.720 –> 01:46:43.440

Tim Trabon: You’re awesome.

1047

01:46:46.890 –> 01:46:48.090

John English: Musician Dale.

1048

01:46:53.550 –> 01:46:54.660

Tim Trabon: I lift these back

1049

01:46:58.080 –> 01:47:01.020

Montalvo Machado: You said something about needing the drummer see me. Yeah.

1050

01:47:01.920 –> 01:47:02.520

Yeah.

1051

01:47:05.580 –> 01:47:07.980

Tim Trabon: THAT BE JOKING in

1052

01:47:08.670 –> 01:47:09.270

Montalvo Machado: Brands body.

1053

01:47:10.620 –> 01:47:13.110

Tim Trabon: Yeah. Occasionally, we’ve gotten to a point where it’s like

1054

01:47:13.140 –> 01:47:15.810

Tim Trabon: Maybe we need to pluck somebody from the audience.

1055

01:47:18.360 –> 01:47:22.500

Tim Trabon: When things get started and now our artists show up late.

1056

01:47:27.090 –> 01:47:27.480

Wow.

1057

01:47:29.340 –> 01:47:36.990

Montalvo Machado: So many musicians that are playing in isolation to just like we’re doing with drawing, they’re doing with music. Yeah.

1058

01:47:37.620 –> 01:47:38.190

Dale Stephanos: Pretty amazing.

1059

01:47:40.200 –> 01:47:46.740

Dale Stephanos: Yo Yo Ma has been traveling around on a on a trailer flatbed doing shows and Massachusetts

1060

01:47:48.330 –> 01:47:49.020

John English: If you see him.

1061

01:47:50.100 –> 01:48:04.830

Dale Stephanos: Now know I know someone who got seeing him who had just happened to see him, though, and I was like it. We were just having lunch in the closet and suddenly this flatbed pulls up and it’s like, and I’m like, to my buddy. That looks like Yo Yo Ma.

1062

01:48:06.960 –> 01:48:07.710

Montalvo Machado: It was it in

1063

01:48:08.430 –> 01:48:09.180

Dale Stephanos: Yeah, once

1064

01:48:09.600 –> 01:48:11.520

Dale Stephanos: Oh geez. Yeah, yeah, yeah.

1065

01:48:12.540 –> 01:48:13.050

Dale Stephanos: Amazing.

1066

01:48:16.890 –> 01:48:22.500

Dale Stephanos: You know, a piano player. I forget who the penis was that’s I should have my musician carrbridge oh

1067

01:48:24.990 –> 01:48:27.990

Tim Trabon: Yeah, I was in, I think I was in

1068

01:48:29.640 –> 01:48:35.490

Tim Trabon: Like SOHO Deanna and we were walking down the street and I said we were

1069

01:48:35.550 –> 01:48:36.300

Tim Trabon: Approaching

1070

01:48:36.390 –> 01:48:48.420

Tim Trabon: I got we’re about to walk past a person and I was like that’s will I am and Jana goes at like almost as you’re walking by. She goes, wow, he looks just like will I am. I was like, no, that is will I am

1071

01:48:53.010 –> 01:48:53.460

Tim Trabon: Yeah.

1072

01:48:54.390 –> 01:48:56.790

Dale Stephanos: There was in the 80s.

1073

01:49:00.420 –> 01:49:12.330

Dale Stephanos: I was in a band with a with a friend who live in a cool was moving from New York, and we met down there and moving people in the village, and we’re walking. I don’t know if anybody knows jazz here but

1074

01:49:13.530 –> 01:49:14.100

Dale Stephanos: Lover.

1075

01:49:14.580 –> 01:49:30.240

Dale Stephanos: We’re walking like just in the corner Bleecker Street and there’s this dude panhandling skinny dude and my buddy throw some five bucks. And I was like, wow, you’re generous. He’s like, yeah, that’s my buddy Jocko it’s

1076

01:49:30.390 –> 01:49:33.330

Dale Stephanos: What yeah it was Jocko Pistorius he was

1077

01:49:34.860 –> 01:49:37.590

Dale Stephanos: Yeah, he was like, totally strung out

1078

01:49:39.270 –> 01:49:47.910

Dale Stephanos: Homeless panhandling and I turn around. I’m like, that’s one of the the all time, you know, jazz legends and

1079

01:49:49.020 –> 01:49:49.800

Dale Stephanos: Boy.

1080

01:49:50.940 –> 01:49:51.870

Dale Stephanos: Okay, and he was in

1081

01:49:51.900 –> 01:49:52.680

Montalvo Machado: That situation.

1082

01:49:54.540 –> 01:49:55.110

Tim Trabon: Wow.

1083

01:49:55.500 –> 01:49:57.240

Dale Stephanos: Yeah, that’s my bummer story.

1084

01:49:59.970 –> 01:50:02.970

Tim Trabon: Wouldn’t be it wouldn’t be no Australian isolation. Right.

1085

01:50:04.080 –> 01:50:04.650

Tim Trabon: Now,

1086

01:50:08.010 –> 01:50:08.880

Tim Trabon: This is great.

1087

01:50:09.240 –> 01:50:09.870

That’s cool.

1088

01:50:12.420 –> 01:50:14.670

Tim Trabon: Oh, a couple people are posting them in groups. This is great.

1089

01:50:16.650 –> 01:50:17.070

Tim Trabon: Awesome.

1090

01:50:17.370 –> 01:50:17.910

Montalvo Machado: No.

1091

01:50:18.540 –> 01:50:21.870

Tim Trabon: That’s cool. Yeah, okay.

1092

01:50:26.430 –> 01:50:27.870

Tim Trabon: Oh, these are all right.

1093

01:50:33.570 –> 01:50:33.840

Bill Koeb: Yeah.

1094

01:50:35.190 –> 01:50:35.640

Tim Trabon: Yeah.

1095

01:50:35.790 –> 01:50:37.770

Bill Koeb: Good job, okay for me.

1096

01:50:38.100 –> 01:50:40.350

Tim Trabon: You know, if you just keep coming to these things.

1097

01:50:40.740 –> 01:50:42.270

Dale Stephanos: Line up for portfolio review.

1098

01:50:43.290 –> 01:50:45.060

Tim Trabon: Yeah, this is great.

1099

01:50:45.240 –> 01:50:47.160

Bill Koeb: LAUGH I’ll be there next week.

1100

01:50:49.680 –> 01:50:50.490

John English: So I

1101

01:50:53.490 –> 01:50:54.240

Tim Trabon: You’re awesome.

1102

01:50:54.600 –> 01:50:55.350

Bill Koeb: That’s nice.

1103

01:50:56.460 –> 01:50:58.410

Bill Koeb: Brian’s got some demos on his

1104

01:51:00.150 –> 01:51:02.100

Bill Koeb: Instagram, which are really cool.

1105

01:51:05.070 –> 01:51:07.320

Bill Koeb: Just to watch his process. Yeah.

1106

01:51:08.490 –> 01:51:10.380

Montalvo Machado: very recognizable style. Right.

1107

01:51:10.800 –> 01:51:11.220

Yeah.

1108

01:51:12.930 –> 01:51:13.290

Tim Trabon: Cool.

1109

01:51:18.330 –> 01:51:18.780

Nice.

1110

01:51:23.940 –> 01:51:25.950

Bill Koeb: Yeah, absolutely. I mean, it’s really distinctive

1111

01:51:42.750 –> 01:51:51.600

Montalvo Machado: Think it’s such a great idea. You got john just and you guys everyone to have this and we could

1112

01:51:53.100 –> 01:52:08.070

Montalvo Machado: See different styles on the same resources, the same subject. This is so cool to see how people react to, you know, the semi semi input and how did they put it back on paper or digital whatever

1113

01:52:09.540 –> 01:52:10.710

Montalvo Machado: Just really cool.

1114

01:52:13.770 –> 01:52:16.680

Montalvo Machado: It’s like looking through other people’s eyes on the same subject.

1115

01:52:17.280 –> 01:52:18.120

Bill Koeb: Oh, that’s nice.

1116

01:52:19.410 –> 01:52:20.970

Dale Stephanos: Wow. Beautiful.

1117

01:52:26.070 –> 01:52:26.370

Cool.

1118

01:52:30.150 –> 01:52:35.850

Tim Trabon: Yeah, man, it really lets you know how much of a spectrum there really is of

1119

01:52:37.680 –> 01:52:40.590

Tim Trabon: How many different ways. There are to solve problems.

1120

01:52:41.130 –> 01:52:41.970

Tim Trabon: Approach problems.

1121

01:52:42.330 –> 01:52:42.900

Marcia

1122

01:52:44.970 –> 01:52:45.780

Dale Stephanos: Oh, it’s beautiful.

1123

01:52:49.470 –> 01:52:51.870

Tim Trabon: Illustration isolation hashtag not Tom

1124

01:52:59.820 –> 01:53:00.270

Montalvo Machado: Green.

1125

01:53:00.630 –> 01:53:03.540

Tim Trabon: We have agreed, definitely not.

1126

01:53:07.650 –> 01:53:11.970

Tim Trabon: Oh, I missed it. Sorry, make sure that every drawing. I see.

1127

01:53:14.670 –> 01:53:15.210

Dale Stephanos: Hey, that’s cool.

1128

01:53:16.560 –> 01:53:16.890

Tim Trabon: Cool.

1129

01:53:20.730 –> 01:53:21.510

Well that’s nice.

1130

01:53:27.150 –> 01:53:27.750

Tim Trabon: Andy

1131

01:53:30.480 –> 01:53:31.200

Sweet.

1132

01:53:32.220 –> 01:53:34.440

Tim Trabon: It is the last week of career development.

1133

01:53:37.350 –> 01:53:43.560

Tim Trabon: She is in our visual arts passage. She’s a student and career development with Sterling humbling.

1134

01:53:44.700 –> 01:53:46.080

Montalvo Machado: Wow, cool.

1135

01:53:46.650 –> 01:53:49.770

Tim Trabon: Great class great class of students.

1136

01:53:52.080 –> 01:53:54.990

John English: Spoke with Sterling right before we start.

1137

01:53:56.070 –> 01:54:05.460

Tim Trabon: Well you know what’s funny is is Sterling, he’s gonna have to keep teaching for us because we can’t get rid of that group of students. They just keep taking that career development course.

1138

01:54:05.580 –> 01:54:07.500

Tim Trabon: Okay. Now repeat

1139

01:54:08.400 –> 01:54:10.320

Tim Trabon: Repeat. It’s a great course.

1140

01:54:11.340 –> 01:54:13.020

John English: It’s meant to be repeated. Awesome. It

1141

01:54:13.020 –> 01:54:14.370

Tim Trabon: It might find

1142

01:54:15.330 –> 01:54:17.190

John English: When you’re not, you know, it’s

1143

01:54:18.960 –> 01:54:23.670

John English: You, you get to a point you leave the program. When you’re ready,

1144

01:54:25.020 –> 01:54:25.710

Dale Stephanos: That’s great.

1145

01:54:28.740 –> 01:54:32.160

Tim Trabon: Yeah. Usually when people leave the program. It’s because

1146

01:54:33.180 –> 01:54:47.640

Tim Trabon: John, who was it we were, we had an event like this. The other like the other week. And somebody said I had to stop taking a visual arts, Pat, I had to stop taking classes and visual arts passage because I was too busy getting work.

1147

01:54:48.810 –> 01:54:49.770

Dale Stephanos: On this great well

1148

01:54:50.100 –> 01:54:50.880

Tim Trabon: Yeah, it’s a great

1149

01:54:51.030 –> 01:54:52.740

John English: It’s a great was that was

1150

01:54:56.460 –> 01:54:59.670

John English: His name was Rios his last name and

1151

01:55:00.000 –> 01:55:02.070

Tim Trabon: I’ve heard a couple people say at this point.

1152

01:55:06.960 –> 01:55:11.460

Tim Trabon: You’re awesome, everybody. Thank you so much for posting and tagging. So we can see it.

1153

01:55:25.200 –> 01:55:26.310

Tim Trabon: Oh, that’s so much fun.

1154

01:55:42.660 –> 01:55:42.930

Tim Trabon: One.

1155

01:55:50.580 –> 01:55:53.430

John English: Timmy. Are you gonna be able to sleep inside tonight, or do you go to

1156

01:55:55.380 –> 01:55:56.790

Tim Trabon: John is right here. So,

1157

01:55:58.350 –> 01:55:59.430

John English: You gotta be able to snap.

1158

01:55:59.520 –> 01:55:59.850

Right.

1159

01:56:04.620 –> 01:56:06.060

Dale Stephanos: He’s just fine, where he is.

1160

01:56:06.360 –> 01:56:06.690

Yeah.

1161

01:56:07.830 –> 01:56:11.040

Tim Trabon: Yeah, I was telling him, I’ve been banished with

1162

01:56:13.320 –> 01:56:16.380

Tim Trabon: The camper. He’s not been banished.

1163

01:56:17.130 –> 01:56:18.270

Dale Stephanos: Well, he is now.

1164

01:56:26.250 –> 01:56:29.670

George Pratt: Oh, wow. Nice, beautiful. Yeah.

1165

01:56:30.180 –> 01:56:32.760

Dale Stephanos: AJ consistently.

1166

01:56:34.320 –> 01:56:35.910

Dale Stephanos: Very exciting drawing style.

1167

01:56:36.420 –> 01:56:37.410

Montalvo Machado: Yeah, absolutely.

1168

01:56:37.980 –> 01:56:38.370

Mini

1169

01:56:39.420 –> 01:56:40.080

Bill Koeb: That’s cool.

1170

01:57:25.710 –> 01:57:27.990

Tim Trabon: Lot of people posting the work time which is great.

1171

01:57:28.740 –> 01:57:29.100

Yeah.

1172

01:57:30.810 –> 01:57:31.740

Bill Koeb: That’s very cool.

1173

01:57:32.220 –> 01:57:33.450

Tim Trabon: Ryan. Nice.

1174

01:57:40.680 –> 01:57:42.000

George Pratt: That’s cool. Yeah.

1175

01:57:42.090 –> 01:57:48.180

Tim Trabon: Just kind of curious to those of you in the crowd. Who’s tuning in it like a wild hour of the night.

1176

01:57:50.310 –> 01:57:53.040

Tim Trabon: Because I know a lot of people are tuning in from kind of all over

1177

01:57:54.780 –> 01:57:58.320

Montalvo Machado: Well, this is 10:36pm here in Brazil.

1178

01:57:59.490 –> 01:58:00.420

Montalvo Machado: Not that late

1179

01:58:07.500 –> 01:58:08.220

Tim Trabon: Sweet.

1180

01:58:09.270 –> 01:58:09.840

Tim Trabon: AJ

1181

01:58:20.910 –> 01:58:21.630

Bill Koeb: was great.

1182

01:58:31.980 –> 01:58:32.250

Tim Trabon: Chuck

1183

01:58:33.570 –> 01:58:33.960

Tim Trabon: Nice.

1184

01:58:44.130 –> 01:58:46.170

Montalvo Machado: storyboard. The role. Oh.

1185

01:58:47.550 –> 01:58:49.470

Tim Trabon: Sorry. I didn’t mean k off Montalvo

1186

01:58:49.710 –> 01:58:55.260

Montalvo Machado: Yeah, I was just, it looks like storyboard drawing and his name was just one one, drawing back

1187

01:58:56.130 –> 01:58:57.900

Tim Trabon: Uh huh. Oh, why did I miss it so

1188

01:58:59.580 –> 01:58:59.940

Montalvo Machado: Yeah.

1189

01:59:00.000 –> 01:59:00.480

Montalvo Machado: This one.

1190

01:59:00.870 –> 01:59:09.600

Montalvo Machado: It really looks like storyboard style and it looks familiar to me. I’ve been to his storyboards for quite some time and then the name is storyboard there. Oh.

1191

01:59:11.220 –> 01:59:11.640

Tim Trabon: Yeah.

1192

01:59:14.790 –> 01:59:15.390

Tim Trabon: AJ

1193

01:59:19.950 –> 01:59:20.370

Wow.

1194

01:59:25.500 –> 01:59:26.010

Tim Trabon: All right.

1195

01:59:27.060 –> 01:59:29.460

Tim Trabon: The person that snuck in or hashtag.

1196

01:59:35.250 –> 01:59:43.380

Tim Trabon: All right, everyone, guys. Thank you all. Thank you all so much for

1197

01:59:44.220 –> 01:59:45.480

John English: Very, very fun night.

1198

01:59:45.840 –> 01:59:47.400

Tim Trabon: Really fun, really.

1199

01:59:47.520 –> 01:59:56.070

John English: everybody for joining us. Instructors are guests. I should say panelists and all the guests. It was great, really fun night.

1200

01:59:56.880 –> 01:59:57.210

Tim Trabon: Yeah.

1201

01:59:57.420 –> 01:59:59.130

Montalvo Machado: You all thanks for having me here.

1202

01:59:59.640 –> 02:00:02.970

Bill Koeb: Thanks, everybody. Great to see sketchbooks

1203

02:00:03.810 –> 02:00:06.300

Montalvo Machado: Yeah, great to see you again. Bill just

1204

02:00:06.360 –> 02:00:08.040

Montalvo Machado: I miss our talks there at the

1205

02:00:08.040 –> 02:00:14.130

Montalvo Machado: Academy. It was just, we spent so much you know so little time together. But our friendship last forever.

1206

02:00:14.670 –> 02:00:23.130

Tim Trabon: Absolutely. So I everyone. Thank you for posting your work if you didn’t post it for us to check it out, please post it to the Facebook group.

1207

02:00:24.570 –> 02:00:34.620

Tim Trabon: If you want to help out visual arts passage by helping us continue to do these things and you can’t sign up for our mentorship program, but you want to support this in some way.

1208

02:00:36.300 –> 02:00:40.140

Tim Trabon: Please write us a Facebook review. I would love that. That would be really helpful.

1209

02:00:43.140 –> 02:00:44.850

Tim Trabon: Preferably a five star Facebook.

1210

02:00:47.250 –> 02:00:47.850

Bill Koeb: Facebook.

1211

02:00:48.390 –> 02:00:49.110

Tim Trabon: Yeah, good.

1212

02:00:49.440 –> 02:00:58.260

Tim Trabon: You don’t want to do five stars. We understand, please give us a call and maybe give the four star last review to me or john personally

1213

02:01:00.150 –> 02:01:01.560

Tim Trabon: And we’ll pass it on.

1214

02:01:03.180 –> 02:01:07.140

Tim Trabon: So anyways, good night. Everybody Dale George bill metallic

1215

02:01:08.040 –> 02:01:08.940

George Pratt: Take care everybody

1216

02:01:09.150 –> 02:01:09.870

It senor.

1217

02:01:11.100 –> 02:01:12.330

John English: Everybody fun

1218

02:01:13.650 –> 02:01:14.850

Montalvo Machado: Fun. Bye guys.

1219

02:01:14.940 –> 02:01:15.300

All right.

Illustration Isolation: Episode 24, Bryan Rodner Carr part III

WANT TO KEEP DRAWING?

TRANSCRIPT:

Illustration Courses

Fine Arts Courses

Let’s Connect